MARC Examples by Element
- #
- Blank value; indicator position is undefined.
- _
- Blank value; indicator position has a specific meaning assigned to blank values.
Community resources. Community refinements. Work refinements: preferred title of musical work: legacy Anglo-American instructions
6.14.2.3.1
Preferred title for a musical work
100 | 1# | $a Beethoven, Ludwig van, $d 1770-1827. $t Gesänge, $n op. 75 |
400 | 1# | $a Beethoven, Ludwig van, $d 1770-1827. $t Songs, $n op. 75 |
Record in authority format. Titles on resource: Sechs Gesänge = Six songs : op. 75 Title in Kinsky: Sechs Gesänge für eine Singstimme mit Klavierbegleitung, opus 75 Title in Grove Music Online: Six songs, op. 75 Original language chosen for the preferred title. |
||
But | ||
100 | 1# | $a Bartók, Béla, $d 1881-1945. $t Quartets, $m violins (2), viola, cello, $n no. 1, op. 7 |
400 | 1# | $a Bartók, Béla, $d 1881-1945. $t Négyesek, $m violins (2), viola, cello, $n no. 1, op. 7 |
Titles on resource: I vonósnégyes = Streichquartett Nr. 1 = String quartet no. 1 : op. 7 Title in Somfai: String quartet no. 1, op. 7 Title in Grove Music Online: String quartet no. 1, op. 7 Title in Antokoletz: I vonósnégyes [String quartet no. 1] op. 7 Preferred title chosen for other Bartok string quartets already present in the LCNAF: Quartets English language chosen for the preferred title. |
Individual musical work. Title consisting solely of the name of one type of composition
6.14.2.5.2
100 | 1# | $a Poulenc, Francis, $d 1899-1963. $t Aubade |
Record in authority format. Title: Aubade : concerto chorégraphique pour piano et 18 instruments. Recorded as a distinctive title. |
100 | 1# | $a Nielsen, Carl, $d 1865-1931. $t Humoreske-bagateller |
Record in authority format. Compound title consisting of two types of composition; treated as a distinctive title. |
Two or more parts of a musical work
6.14.2.7.2
100 | 1# | $a Mozart, Wolfgang Amadeus, $d 1756-1791, $e composer. |
240 | 10 | $a Don Giovanni. $k Selections |
245 | 10 | $a Don Giovanni : $b highlights / $c Mozart ; libretto, Lorenzo da Ponte. |
505 | 0_ | $a Madamina, il catalogo è questo (6:01) -- Là ci darem la mano (3:28) -- Don Ottavio, son morta ... Or sai chi l'onore (6:33) -- Dalla sua pace (4:18) -- Finch'han dal vino (1:26) -- Batti, batti, o bel Masetto (4:01) -- Deh, vieni alla finestra (1:57) -- Vedrai, carino (3:47) -- Il mio tesoro (5:05) -- In quali eccessi ... Mi tradì (6:07) -- Crudele? Ah no, mio bene ... Non mi dir (7:33) -- Finale (12:41). |
700 | 12 | $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Madamina, il catalogo è questo. |
700 | 12 | $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Là ci darem la mano. |
700 | 12 | $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Don Ottavio, son morta. |
700 | 12 | $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Dalla sua pace. |
700 | 12 | $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Finch'han dal vino. |
700 | 12 | $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Batti, batti, o bel Masetto. |
700 | 12 | $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Deh, vieni alla finestra. |
700 | 12 | $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Vedrai, carino, se sei buonino. |
700 | 12 | $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Mio Tesoro. |
700 | 12 | $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p In quali eccessi. |
700 | 12 | $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Crudele? Ah no, mio bene. |
700 | 12 | $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Finale. |
Conventional collective title Selections used as the preferred title for parts of a musical work. Preferred title for each part also recorded separately in access points. |
Compilation of complete works of one composer in one broad or specific medium
6.14.2.8.2
100 | 1# | $a ... $t Violin, piano music |
Or | ||
240 | 10 | $a Violin, piano music |
Preferred title for a compilation of the complete works of one composer for violin and piano; medium of performance terms taken from LCMPT. Shown in authority format and bibliographic format, respectively. |
100 | 1# | $a ... $t Instrumental music |
Or | ||
240 | 10 | $a Instrumental music |
Preferred title for a compilation of the complete works of one composer for instruments, without voices; term taken from LCSH. Shown in authority format and bibliographic format, respectively. |
Complete works of a single type of composition for one specific medium or various media
6.14.2.8.3
100 | 1# | $a ... $t Ballets |
Or | ||
240 | 10 | $a Ballets |
Preferred title for a compilation of the complete works of one composer consisting of a single type of composition. Preferred title taken from LCGFT term: Ballets (Music); parenthetical qualifier omitted. Shown in authority format and bibliographic format, respectively. |
Compilation of musical works by one composer
6.14.2.8.4
Incomplete compilations
100 | 1# | $a Haydn, Joseph, $d 1732-1809, $e composer. |
240 | 10 | $a Symphonies. $k Selections |
505 | 0_ | $a No. 3 in G major -- No. 14 in A major -- No. 15 in D major -- No. 17 in F major -- No. 19 in D major -- No. 20 in C major -- No. 25 in C major -- No. 33 in C major -- No. 36 in E flat major -- No. 108 (Partita) in B flat major. |
Preferred title for an aggregating work with a generic title recorded as a conventional collective title. Individual works aggregated identified only via contents note. |
100 | 1# | $a Hindemith, Paul, $d 1895-1963, $e composer. |
240 | 10 | $a Sonatas. $k Selections |
505 | 0_ | $a Oboe sonata -- Clarinet sonata -- English horn sonata -- Flute sonata. |
700 | 12 | $i Expression manifested: $a Hindemith, Paul, $d 1895-1963. $t Sonatas, $m oboe, piano. |
700 | 12 | $i Expression manifested: $a Hindemith, Paul, $d 1895-1963. $t Sonatas, $m clarinet, piano. |
700 | 12 | $i Expression manifested: $a Hindemith, Paul, $d 1895-1963. $t Sonatas, $m English horn, piano. |
700 | 12 | $i Expression manifested: $a Hindemith, Paul, $d 1895-1963. $t Sonatas, $m flute, piano. |
Preferred title for an aggregating work with a generic title recorded as a conventional collective title. Preferred titles for individual works aggregated recorded as components of authorized access points. |
100 | 1# | $a Strauss, Richard, $d 1864-1949, $e composer. |
240 | 10 | $a Through life and love |
505 | 00 | $g Youth = Das Mädchen. $t Nichts $g (1:40) ; $t Leisis Lied $g (3:13) ; $t Ständchen $g (2:42) ; $t Schlagende Herzen $g (2:29) ; $t Heimliche Aufforderung $g (3:16) -- $t Longing = Sehnsucht. $t Sehnsucht $g (4:27) [etc....] |
700 | 12 | $i Expression manifested: $a Strauss, Richard, $d 1864-1949. $t Lieder, $n op. 10. $p Nichts. |
700 | 12 | $i Expression manifested: $a Strauss, Richard, $d 1864-1949. $t Lieder, $n op. 39. $n Lieses Lied. |
700 | 12 | $i Expression manifested: $a Strauss, Richard, $d 1864-1949. $t Lieder, $n op. 17. $n Ständchen. |
700 | 12 | $i Expression manifested: $a Strauss, Richard, $d 1864-1949. $t Lieder, $n op. 29. $n Schlagende Herzen. |
700 | 12 | [Etc...] |
Preferred title for an aggregating work with a distinctive title recorded based on the title proper of the aggregate manifestation. Preferred titles for individual works aggregated recorded as components of authorized access points. |
Corporate Body: authorized access point for corporate body
11.13.1.1
General guidelines on constructing authorized access points to represent corporate bodies
110 | 2# | $a Birds of America (Musical group) |
Record in authority format. Category of corporate body added to access point as preferred name does not convey the idea of a corporate body |
110 | 2# | $a Cajun Ramblers |
Record in authority format. Preferred named conveys the idea of a corporate body; no qualifier added merely to bring out the musical aspect of the corporate body. |
Additional elements and designations in authorized access point for corporate body
11.13.1.2
Type of corporate body
110 | 2# | $a Ambassadors (Musical group) |
110 | 2# | $a Ambassadors (Blues group) |
110 | 2# | $a Ambassadors (Dance orchestra) |
110 | 2# | $a Ambassadors (Musical group : England) |
110 | 2# | $a Ambassadors (Musical group : Jimmy Stella) |
Records in authority format. Term "Musical group" alone insufficient to distinguish between multiple corporate bodies with the same preferred name. |
Corporate Body: category of corporate body
11.7.1.4
Other designation associated with corporate body. Type of corporate body
110 | 2_ | $a Led Zeppelin (Musical group) |
368 | ## | $a Musical groups $2 lcsh |
Record in authority format. |
Expression: capture information
7.11
Place and date of capture
033 | 00 | $a 19640920 $b 4364 $c L8 |
518 | ## | $o Recorded in concert $p Shrine Civic Auditorium, Los Angeles, CA $d 1964 September 20. |
033 | 20 | $a 20100822 $a 20100828 $b 7064 $c M7 |
033 | 00 | $a 20110423 $b 7064 $c M7 |
518 | ## | $o Recorded $d 2010 August 22-28 $d 2011 April 23 $p 5th Studio of the Russian Television and Radio Broadcasting Company, Moscow, Russia. |
033 | 10 | $a 19921201 $a 19921202 $b 5754 $c L7 |
033 | 00 | $a 19640706 $b 4364 $c L8:2H5 |
033 | 00 | $a 19540614 |
033 | 00 | $a 1954---- $b 4364 $c L8:2H5 |
518 | ## | $3 Royal Philharmonic Orchestra performances $o recorded $d 1992 December 1-2 $p St. Mary's Church, Petersham, London. |
518 | ## | $3 Sinfonia of London performance $o recorded $d 1964 July 6 $p Hollywood, California. |
518 | ## | $3 Dmitri Tiomkin Orchestra performances $o recorded $d 1954 June 14. |
518 | ## | $3 Paramount Studio Orchestra performance $o recorded $d 1954 $p Paramount Studios, Hollywood, California. |
Expression: content type
6.9
006 | $a jsynn############n | |
336 | ## | $a text $2 rdacontent |
336 | ## | $a performed music $2 rdacontent |
Resource is a book issued with an audio recording. |
336 | ## | $a performed music $2 rdacontent |
336 | ## | $a text $2 rdacontent |
Resource is an audio recording issued with a significant text volume. |
300 | ## | $a 1 audio disc (48 min., 17 sec.) ; $c 4 3/4 in. |
300 | ## | $a 1 videodisc (1 hr., 3 min., 25 sec.) : $b color ; $c 4 3/4 in. |
336 | ## | $3 audio disc $a performed music $2 rdacontent |
336 | ## | $3 videodisc $a two-dimensional moving image $2 rdacontent |
Expression: creator agent of expression (and narrower elements)
20.2
Contributor
110 | 2# | $a Majorstuen (Musical group), $e composer, $e instrumentalist. |
245 | 14 | $a The boréales : $b sound of northern Europe / $c Majorstuen. |
511 | 0# | $a Majorstuen (Jorun Marie Kvernberg ; Andreas Ljones ; Gjermund Larsen ; Tove Dalbakk ; Synnøve S. Bjørset ; Ragnhild Furebotten). |
No access points given for the individual perfomers in the group. Note that in this example, the performing group is the creator of both the work (composer) and the expression (instrumentalist). |
511 | 0# | $a Philharmonia Orchestra ; Christoph von Dohnányi, conductor. |
700 | 1# | $a Dohnányi, Christoph von, $e conductor. |
710 | 2# | $a Philharmonia Orchestra (London, England), $e instrumentalist. |
245 | 00 | $a Morning has broken : $b playtime songs on flute and harp / $c Steve Alder, Julie Keyes ; arranged by Kurt Bestor. |
700 | 1# | $a Alder, Steve, $e instrumentalist. |
700 | 1# | $a Keyes, Julie, $e instrumentalist. |
700 | 1# | $a Bestor, Kurt, $e arranger of music. |
245 | 04 | $a The Doris Day songbook. |
500 | ## | $a Popular songs and excerpts from motion pictures, as performed by Doris Day. |
700 | 1# | $a Day, Doris, $d 1922-2019, $e related person. |
Nature of relationship to resource indirect or unclear. |
Expression: duration
7.22.1.3
300 | ## | $a 1 audio disc (1 hr., 30 min.) |
306 | ## | $a 013000 |
Resource is an audio recording. |
500 | ## | $a Duration: approximately 15 min. |
Resource is a score. On cover verso: DURATION c. 15 minutes |
7.22.1.4
Duration of component parts
300 | ## | $a 1 audio disc (75 min., 29 sec.) |
505 | 0_ | $a Songs of life and death, op. 69 (46:55) -- The iron age suite, op. 55 (28:23). |
Resource is an audio recording. |
300 | ## | $a 2 audio discs (1:00:44 ; 1:12:02) |
306 | ## | $a 003906 $a 002138 $a 004825 $a 002337 |
505 | 00 | $g Disc 1. $t Raga jhinjhoti $g (39:06) ; $t Raga khamaj $g (21:38) -- $g Disc 2. $t Raga bihag $g (48:25) ; $t Raga pancham se gara $g (23:37). |
Resource is an audio recording. |
245 | 10 | $a Serenade for clarinet, bass clarinet, mandolin, guitar, violin, viola, cello and bass voice, op. 24 ; ǂb Chamber symphony : no. 1, op. 9 |
306 | ## | $a 003500 $a 002109 |
500 | ## | $a Durations: 35:00; 21:09. |
Resource is an audio recording. |
Expression: form of musical notation
7.13.3
348 | ## | $c tablature $2 rdafmn |
348 | ## | $c staff notation $c tablature $2 rdafmn |
546 | ## | $b Staff notation; $b Tablature. |
Or | ||
348 | ## | $c staff notation $2 rdafmn |
348 | ## | $c tablature $2 rdafmn |
546 | ## | $b Staff notation; $b Tablature. |
Field 546 also recorded to support local discovery system needs. OCLC prefers that multiple 348 terms be entered in separate fields. |
348 | ## | $c verbal instructions |
Or | ||
546 | ## | $b Verbal instructions. |
Controlled term not available. |
348 | ## | $c staff notation $2 rdafmn |
348 | ## | $c chord symbols $c guitar chord diagrams |
Or | ||
348 | ## | $c staff notation $2 rdafmn |
546 | ## | $b Chord symbols; $b Guitar chord diagrams. |
Resource is a "piano-vocal-guitar" score; mixed controlled and uncontrolled terms. |
348 | ## | $c chord symbols $c guitar chord diagrams |
546 | ## | $a English, French, Italian and Azerbaijani words. |
Or | ||
546 | ## | $a English, French, Italian and Azerbaijani words. |
546 | ## | $b Chord symbols; $b Guitar chord diagrams. |
Not | ||
546 | ## | $a English, French, Italian and Azerbaijani words; $b Chord symbols; $b Guitar chord diagrams. |
Uncontrolled terms recorded alongside a language note. |
Expression: format of notated music
7.20
348 | ## | $a vocal score $a piano conductor part $a part $2 rdafnm |
Or | ||
348 | ## | $a vocal score $2 rdafmn |
348 | ## | $a piano conductor part $2 rdafnm |
348 | ## | $a part $2 rdafnm |
Expression: identifier for expression
6.13
024 | 0_ | $a BRBMG0300729 |
ISRC for a specific audio track. |
Expression: intended audience of expression
7.7
Intended audience
008 | 22 | j |
521 | 1# | $a 2-9. |
521 | 8# | $a Parental advisory, explicit content. |
Expression: language of expression
6.11
7.12
Language of expression; Language of content
041 | 0_ | $d arm $d cau $d geo $d tur $e arm $e cau $e geo $e tur $g cau $g eng $g geo $g ger $g tur |
546 | ## | $a Sung in Turkish, Georgian, Laz, Hemshin, and Mingrelian. |
500 | ## | $a Turkish, Georgian, Laz, Hemshin and Mingrelian lyrics and notes in Turkish, English, German, Laz, and Georgian inserted in container. |
041 | 0_ | $d frm $d ita $d lat $e dut $e eng $e fre $e frm $e lat $e ita $n frm $n frm $n lat $g dut $g eng $g fre $g ger |
546 | ## | $a Sung in Italian, Middle French and Latin. |
500 | ## | $a Italian, Middle French, and Latin lyrics with French, Dutch and English translations and program notes in French, Dutch, English and German inserted in container. |
041 | 1_ | $a swe $a ger $h ice $g swe $g ger |
546 | ## | $a Swedish and German words. |
500 | ## | $a Text originally in Icelandic. Performance notes in Swedish and German; German translation of the text by Fritz Tutenberg. |
Expression: medium of performance of musical content
6.15
7.21
Medium of performance
100 | 1# | $a Forsyth, Josephine, $d 1889-1940, $e composer. |
240 | 10 | $a Lord's prayer; $o arranged |
382 | 01 | $a soprano voice $n 1 $a alto voice $n 1 $a organ $n 1 $s 3 $2 lcmpt |
Originally for solo voice, arranged for vocal duet; medium of performance of musical content reflects only the expression manifested in the resource cataloged. |
100 | 1# | $a Boulanger, Lili, $d 1893-1918, $e composer. |
240 | 10 | $a Nocturne, $m violin, piano |
245 | 10 | $a Nocturne pour violon ou flûte et piano / $c Lili Boulanger. |
382 | 01 | $a violin $n 1 $p flute $n 1 $a piano $s 2 $2 lcmpt |
Or | ||
382 | 01 | $a violin $n 1 $a piano $s 2 $2 lcmpt |
382 | 01 | $a flute $n 1 $a piano $s 2 $2 lcmpt |
Resource is a score with alternative instrument specified by the composer, described in a bibliographic record for a manifestation. For description of the work in an authority record, see Work: medium of performance of musical content of representative expression. |
500 | ## | $a Motet for soprano solo and orchestra. |
500 | ## | $a Catulli carmina is a pantomime with music, for solo voices (ST), chorus (SATB), 4 pianos, and percussion; Trionfo di afrodite is a concerto scenica for solo voices, chorus and orchestra. |
500 | ## | $a Originally for voice and piano, arranged for soprano and orchestra. |
Guidance: Describing a manifestation
Describing a manifestation that is issued in two or more physical or logical units
3.1.4
Resources consisting of more than one carrier type
300 | ## | $a 1 score (xxxii pages) ; $c 30 cm + $e 1 audio disc (4 3/4 in.) |
Or | ||
300 | ## | $a 1 score (xxxii pages) ; $c 30 cm |
300 | ## | $a 1 audio disc ; $c 4 3/4 in. |
Resource is a book or score issued with an audio or video carrier. |
300 | ## | $a 1 audio disc ; $c 4 3/4 in. |
344 | ## | $a digital $2 rdatr |
347 | ## | $a audio file $2 rdaft |
500 | ## | $a Song texts with English translations from Yiddish and Hebrew (4 unnumbered pages) inserted in container. |
Or | ||
300 | ## | $a 1 audio disc ; $c 4 3/4 in. |
300 | ## | $a 4 unnumbered pages ; $c 12 cm |
344 | ## | $3 Audio disc $a digital $2 rdatr |
347 | ## | $3 Audio disc $a audio file $2 rdaft |
347 | ## | $3 Audio disc $b CD audio |
Resource consists of a disc with booklet inserted in container. Generally apply the first option unless the accompanying volume is substantial in content or extent. |
300 | ## | $a 6 audio discs (42 min. each) ; $c 4 3/4 in. |
300 | ## | $a 7 volumes : $b illustrations ; $c 12 cm |
344 | ## | $3 Audio discs $a digital $2 rdatr |
347 | ## | $3 Audio discs $a audio file $2 rdaft |
347 | ## | $3 Audio discs $b CD audio |
Resource consists of six discs, each with a container insert, plus a seventh text volume for the entire set. |
Guidance: Guidelines on normalized transcription
Symbols
1.7.5
264 | _1 | $a Colchester, Essex, England : $b Chandos |
Typographical devices are used as separators in the place of publication on the source of information. These are ignored; commas are added for clarity. |
245 | 10 | $a [Four symbols] / $c Led Zeppelin. |
246 | 1_ | $i Also known as: $a Zoso |
246 | 1_ | $i Also known as: $a Led Zeppelin IV |
246 | 1_ | $i Also known as: $a Untitled |
The title on the source of information consists of four symbols that cannot be reproduced. This album is known by many names, including Four symbols, but more commonly Led Zeppelin IV. |
Numbers
1.8.2
490 | 1_ | $a AIMP ; $v CIII |
830 | _0 | $a Archives internationales de musique populaire (Series) ; $v 103. |
490 | 1_ | $a Documenta musicologica. Zweite Reihe, Handschriften-Faksimiles ; $v Band XLIII |
830 | _0 | $a Documenta musicologica. $n 2. Reihe, $p Handschriften-Faksimiles ; $v 43. |
Guidance: Introduction to RDA. Data elements
Recording relationship elements
18.5.1.3
100 | 1# | $a Alvin, Dave, $e composer, $e performer. |
710 | 2# | $a Bossa Jazz Trio, $e instrumentalist. |
710 | 2# | $a Stanford University. $b Chamber Chorale, $e singer. |
100 | 1# | $a Ewazen, Eric, $d 1954- $e composer. |
700 | 1# | $a Huth, Peter $c (Music editor), $e editor. |
700 | 1# | $a Ryerson, Edward L. $q (Edward Larned), $d 1886-1971, $e dedicatee, $e former owner. |
Relationship labels given in WEMI order, as per LC-PCC PS and the PCC Training Manual for Applying Relationship Designators in Bibliographic Records. |
100 | 1# | $a Cage, John, $e composer. |
240 | 10 | $a Melodies, $m violin, keyboard instrument |
But | ||
700 | 12 | $i Expression manifested: $a Cage, John. $t Melodies, $m violin, keyboard instrument. |
The expression manifested relationship is implicit in field 100+240, but not in field 700. |
Recording relationship elements
25.1
Related work
100 | 1# | $a Carpenter, John Alden, $d 1876-1951, $e composer. |
245 | 14 | $a The birthday of the infanta |
500 | ## | $a Inspired by Oscar Wilde's The birthday of the Infanta. |
700 | 1_ | $i Adaptation of: $a Wilde, Oscar, $d 1854-1900. $t Birthday of the Infanta. |
100 | 1# | $a Corner, Philip, $e composer. |
245 | 10 | $a Petite fantasie "Les barricades mysteriusies" de Francios Couperin (already a revelation) : $b piano, conceivably organ / $c Philip Corner. |
246 | 1_ | $i Title should read: $a Petite fantaisie "Les barricades mystérieuses" de François Couperin (already a revelation) |
500 | ## | $a An indeterminate work based on music of Couperin. |
700 | 1_ | $i Based on: $a Couperin, François, $d 1668-1733. $t Pièces de clavecin, $n 2e livre. $n No 6, $p Baricades mystérieuses. |
Manifestation: carrier type
Condition: A manifestation consists of more than one carrier type
3.3
300 | ## | $a 1 audio disc (48 min., 17 sec.) ; $c 4 3/4 in. |
300 | ## | $a 1 videodisc (1 hr., 3 min., 25 sec.) : $b sound, color ; $c 4 3/4 in. |
338 | ## | $3 CD $a audio disc $2 rdacarrier |
338 | ## | $3 DVD $a videodisc $2 rdacarrier |
Manifestation: configuration of playback channels
3.16.8
Sound characteristic. Configuration of playback channels
344 | ## | $g stereo $g surround $2 rdacpc |
Or | ||
344 | ## | $g stereo $2 rdacpc |
344 | ## | $g surround $2 rdacpc |
Manifestation: copyright date
2.11
264 | _1 | $c [2011] |
264 | _4 | $c ©2011 |
264 | _1 | $c [2010] |
264 | _4 | $c ℗2008 |
Resource is an audio recording. Phonogram copyright date determined to apply to the resource as a whole |
264 | _1 | $c [2010] |
264 | _4 | $c ©2010 $c ℗2008 |
Resource is an audio recording. Phonogram copyright date determined to apply to the resource as a whole and regular copyright date optionally recorded. |
264 | _1 | $c [2013] |
264 | _4 | $c ©2013 |
500 | ## | $a ℗2012, ℗2013. |
Resource is an audio recording. Neither phonogram copyright date can be determined to apply to the resource as a whole. |
Manifestation: date of manufacture
2.10.6
264 | _3 | $a Austria : $b fabriqué par Sony DADC, $c 2012. |
Manifestation: date of production
2.7.6
264 | _0 | $a [Boston, Massachusetts] : $b Boston Conservatory, $c March 4, 2011. |
Title frames: An evening of opera scenes, recorded in Studio 401, March 4, 2011, by the Boston Conservatory. Resource is a first-generation videocassette. |
264 | _0 | $a New York : $b B. Martinů, $c 1950 February 26. |
Resource is a holograph sketch. Caption: Trio in D (1950) / B. Martinů. Page 11: New York, February 26, 1950. |
Manifestation: date of publication
Condition: A value of Manifestation: date of publication cannot be found in a manifestation that is being described
2.8.6.6
Date of publication not identified in a single-part resource
264 | _1 | $c [2011] |
264 | _4 | $c ©2011 |
And | ||
008 | 06 | t |
008 | 07-14 | 2011, 2011 |
Date of publication inferred from copyright date. |
264 | _1 | $c [2011?] |
264 | _4 | $c ©1991 |
Date of publication inferred from date given in preface. |
Manifestation: designation of edition
2.5.2
250 | ## | $a Low voice. |
245 | 10 | $a Songs of separation / $c William Grant Still. |
250 | ## | $a Tenor. |
And | ||
245 | 10 | $a Songs of separation / $c William Grant Still. |
250 | ## | $a Baritone. |
These publications manifest the same work in tenor and baritone versions. | ||
But | ||
245 | 00 | $a Musical theatre for classical singers. $p Soprano. |
The compilations with this title for other voice ranges contain different songs. |
250 | ## | $a Partitur und Stimmen. |
250 | ## | $a Klavierauszug. |
250 | ## | $a Studien- und Dirigierpartitur. |
250 | ## | $a Flute and piano reduction. |
245 | 10 | $a Six great secular cantatas / $c Johann Sebastian Bach. |
250 | ## | $a In full score. |
On title page: Six great secular cantatas in full score. |
245 | 10 | $a Orlando furioso : $b dramma per musica in tre atti, RV 728 / $c Antonio Vivaldi ; arrangement pour clavier, Jacques Manet ... |
250 | ## | $a Chant et clavier. |
On title page: Arrangement pour clavier, Jacques Manet. On cover: Chant et clavier. |
245 | 10 | $a Konzert für Violine und Orchester D-Dur / $c Ludwig van Beethoven. |
250 | ## | $a Ausgabe für Violine und Klavier = $b = Edition for violin and piano / von Christian Rudolf Riedel. |
On title page: Ausgabe für Violine und Klavier von Christian Rudolf Riedel = Edition for violin and piano. |
Manifestation: designation of named revision of edition
2.5.6
250 | ## | $a 5th edition, with corrections. |
250 | ## | $a Study score. |
Manifestation: digital file characteristic
Manifestation: file type
3.19.2
347 | ## | $a audio file $2 rdaft |
Manifestation: encoding format
3.19.3
347 | ## | $b CD audio $b SACD |
347 | ## | $a audio file $2 rdaft |
347 | ## | $b DVD audio |
347 | ## | $a audio file $2 rdaft |
347 | ## | $b CD audio $b AAC |
Resource contains one compressed AAC audio file in addition to standard uncompressed "Red Book" CD audio. |
Manifestation: dimensions
Multiple unit manifestations. Notated music
3.5.1.6
Manifestation consisting of more than one carrier. Exception
300 | ## | $a 1 score (15 pages) ; $c 43 cm + $a 23 parts ; $c 32 cm |
Or | ||
300 | ## | $a 1 score (15 pages) ; $c 43 cm |
300 | ## | $a 23 parts ; $c 32 cm |
300 | ## | $a 1 score (8 pages) ; $c 30 cm |
300 | ## | $a 1 part (3 pages) ; $c 30 cm |
Manifestation: distribution statement
2.9
264 | _2 | $a Milwaukee, WI : $b Hal Leonard Corporation |
264 | _2 | $a Kraków : $b Andromeda |
264 | _2 | $a Kassel ; $a New York : $b distribution mondiale Bärenreiter |
264 | _2 | $a Paris : $b distribution pour le monde entier, Alphonse Leduc |
264 | _2 | $a Oaks, PA : $b Eclectic DVD Distribution |
Manifestation: edition statement
2.5.1.4
250 | ## | $a Revised 1947 version. |
250 | ## | $a Full orchestral score. |
250 | ## | $a Full score. |
250 | ## | $a Second printing with revisions. |
Designation of edition (indicating a particular format of notated music) and designation of named revision (indicating a change in content) refer to different aspects of the edition. | ||
But | ||
250 | ## | $a 4th ed., reprinted with corrections. |
Designation of edition (indicating a particular version of content) and designation of named revision (indicating changes to that version) both describe the same aspect of the edition. |
Manifestation: equipment or system requirement
3.20
538 | ## | $a Hybrid Super Audio CD (SACD): CD standard stereo playable on regular CD player; requires SACD player and playback equipment with analog inputs for DSD (Direct Stream Digital) stereo or 4.0 multichannel surround sound to audition SACD-encoded layers. |
Manifestation: expression manifested
25.1
Related work
245 | 04 | $a The lark ascending / $c Butterworth, Delius, Elgar, Vaughan Williams, Walton, Warlock. |
700 | 12 | $i Expression manifested: $a Vaughan Williams, Ralph, $d 1872-1958. $t Lark ascending. |
Audio recording containing 19 works; access point given for a representative expression of only the most prominently named work. |
17.10.1.3
100 | 10 | $a León, Tania, $e composer. |
240 | 10 | $a Scourge of the hyacinths. $p Oh Yemanja |
245 | 10 | $a Oh Yemanja : $b interlude and scene 11 from the opera Scourge of the hyacinths : for mezzo-soprano, violoncello and piano / $c Tania León. |
Score containing a single expression of one work. The relationship is implied by field 240/245 rather than explicitly stated. |
Manifestation: extent of manifeststion
Subunits in multiple unit manifestations; Units and sets of units with identical content
300 | ## | $a 2 identical scores (23 pages each) |
Extent of manifestations of notated music
3.4.3
300 | ## | $a 1 score (73 pages) + 5 parts |
300 | ## | $a 1 score (3 volumes) + 4 parts (3 volumes) |
300 | ## | $a 1 score (3 volumes) + 12 parts |
505 | 0_ | $a v. 1. Sonatas 1-5, two violins and basso continuo (1 score + 3 parts) -- v. 2. Sonatas 6-9, two violins, violone and basso continuo (1 score + 4 parts) -- v. 3. Sonatas 10-12, two violins, viola, violone and basso continuo (1 score + 5 parts). |
Each volume includes a separate set of parts, for a total of 12 parts. |
Number of subunits. Computer discs, cartridges, etc.
3.4.1.7.1
300 | ## | $a 1 audio disc (14 audio files) |
Resource is a CD-R containing sound files in MP3 format. "Audio disc" used per Supplement 2. |
300 | ## | $a 1 computer disc (1 score (1814 pages)) |
300 | ## | $a 1 volume (389 pages) |
Resource consists of 1 PDF score on CD-ROM with accompanying commentary volume. |
Number of subunits. Online resources
3.4.1.7.5
300 | ## | $a 1 online resource (1 score (16 pages)) |
300 | ## | $a 1 online resource (1 score (33 pages) + 3 parts) |
Score and parts in separate files. |
300 | ## | $a 1 online resource (1 score and 1 part (23, 5 pages)) |
Score and part combined in a single file. |
Extent of manifestations of text. Single unit manifestations. Single volumes with unnumbered pages, leaves, or columns
3.4.5.3
300 | ## | $a 1 score (1 unnumbered leaf) |
300 | ## | $a 1 score (1 volume (unpaged)) |
Extent of manifestations of text. Single unit manifestations. Complicated or irregular paging, etc.
3.4.5.8
300 | ## | $a 1 score (various pagings) |
Or | ||
300 | ## | $a 1 score (10, 9, 10, 8, 10 pages) |
300 | ## | $a 1 score (2 volumes (various pagings)) |
Extent of manifestations of text. Single unit manifestations. Single sheets
3.4.5.14
300 | ## | $a 1 vocal score (1 unnumbered leaf) |
Extent of manifestations of text. Multiple unit manifestations. Two or more volumes. Continuously paged volumes
3.4.5.17
300 | ## | $a 1 score (2 volumes (588 pages)) |
Extent of manifestations of text. Multiple unit manifestations. Two or more sheets
3.4.5.20
More than one sheet
300 | ## | $a 1 part (3 leaves) |
300 | ## | $a 1 score (5, 5 leaves) |
Manifestation: generation
3.10
340 | ## | $j stamper $2 rdagen |
Manifestation: groove characteristic
Manifestation: groove width
3.16.5
Sound characteristic. Groove characteristic
344 | ## | $d microgroove $2 rdagw |
Resource is an analog disc. |
Manifestation: groove pitch
Sound characteristic. Groove characteristic
344 | ## | $d fine $2 rdagrp |
Resource is an analog cylinder. |
Manifestation: identifier for manifestation
2.15
020 | ## | $a 0895796929 |
024 | 1_ | $a 680160601042 |
024 | 2_ | $a M001178969 |
Or | ||
024 | 2_ | $a M001178969 |
024 | 2_ | $a 9790001178969 |
10-character ISMN given on resource. ISMNs may be converted between 10- and 13-character formats by replacing "M" with "9790" or vice versa. |
024 | 2_ | $a 9790215319196 |
Or | ||
024 | 2_ | $a 9790215319196 |
024 | 3_ | $a 9790215319196 |
A 13-digit ISMN may be recorded as an EAN. |
028 | 02 | $a HBR 00001 $b Hidden Beach Recordings |
028 | 62 | $a EK 62137 $b Epic |
Resource is a sound recording. On container: Hidden Beach Recordings, Manufactured and distributed by Epic. |
028 | 42 | $a OA 0969 D $b Opus Arte |
Resource is a video recording. |
028 | 02 | $a 438 953-2 $b Philips Classics $q (set) |
028 | 02 | $a 438 954-2 $b Philips Classics $q (disc 1) |
028 | 02 | $a 438 955-2 $b Philips Classics $q (disc 2) |
Resource is a two-disc audio recording with separate identifiers for the container and each disc. |
028 | 02 | $a BG 4004 $b Bourg Records $q (disc 1) |
028 | 02 | $a BG 4005 $b Bourg Records $q (disc 2) |
Resource is a two-disc audio recording with separate identifiers for each disc. |
028 | 02 | $a NI 5885/6 $b Nimbus Records $q (set) |
028 | 02 | $a NI 5885 $b Nimbus Records $q (disc 1) |
028 | 02 | $a NI 5886 $b Nimbus Records $q (disc 2) |
Resource is a two-disc audio recording with separate identifiers for the container and each disc. |
028 | 02 | $a ECM 2316 $b ECM $q (disc 1) |
028 | 02 | $a 372 9527 $b ECM $q (disc 1) |
028 | 02 | $a ECM 2317 $b ECM $q (disc 2) |
028 | 02 | $a 372 9528 $b ECM $q (disc 2) |
Resource is a two-disc set that has two numbering schemes; disc labels include both numbers. |
028 | 02 | $a COL-CD-6618 $b Collectables Records |
028 | 00 | $a 1446 $b Atlantic |
028 | 00 | $a 1509 $b Atlantic |
500 | ## | $a Originally issued as analog discs in 1966 (Atlantic 1446; Soulero) and 1969 (Atlantic 1509; Laws' cause). |
Resource is a re-release of two albums; the issue numbers of the original releases are known. |
028 | 02 | $a 88697 56207 2 $b Masterworks Broadway |
028 | 00 | $a ML 4140 $b Columbia |
028 | 00 | $a OL 4140 $b Columbia |
500 | ## | $a Originally released February 15, 1949, as Columbia ML/OL 4140. |
Resource previously released in mono and stereo formats; the issue numbers of the original releases are known. |
Incorrect identifiers
2.15.1.6
020 | ## | $z 9780711932982 $q (print) |
Resource is an electronic score; ISBN is for the print version |
Manifestation: media type
Condition: A manifestation consists of two or more media types
3.2
300 | ## | $a 1 audio disc (48 min., 17 sec.) ; $c 4 3/4 in. |
300 | ## | $a 1 videodisc (1 hr., 3 min., 25 sec.) : $b color ; $c 4 3/4 in. |
337 | ## | $3 CD $a audio $2 rdamedia |
337 | ## | $3 DVD $a video $2 rdamedia |
Manifestation: name of manufacturer
2.10.4
Manufacturer's name
264 | _3 | $a Austria : $b fabriqué par Sony DADC |
Manifestation: name of producer
2.7.4
Producer's name
264 | _0 | $a [Boston, Massachusetts] : $b Boston Conservatory |
Title frames: An evening of opera scenes, recorded in Studio 401, March 4, 2011, by the Boston Conservatory. |
264 | _0 | $a New York : $b B. Martinů |
Resource is a holograph sketch. Caption: Trio in D (1950) / B. Martinů. Page 11: New York, February 26, 1950. |
Manifestation: name of publisher
2.8.4
Publisher's name
264 | _1 | $a [Hamburg, Germany] : $b Archiv Produktion, a Universal Music company |
Resource is an audio recording. Trade name or brand name (label) used by a company recorded as publisher's name. |
264 | _1 | $a New York, N.Y. : $b London |
Resource is an audio recording. On label: London; on container: London Records, a division of Polygram Records, Inc., New York, N.Y. |
264 | _1 | $a Minneapolis, Minnesota : $b Libby Larsen Publishing : $b Kenwood Editions |
Unclear whether two names in the same source represent a publishing company and the name of a subdivision of that company or a trade name or brand name used by that company, or whether they represent two unrelated publishers; both names transcribed as publishers. |
264 | _1 | $a [Paris] : $b Opus111 : $b Naïve |
Or | ||
264 | _1 | $a Paris : $b Opus111/Naïve |
On resource: Opus111/Naïve. Unclear whether two names in the same source represent a publishing company and the name of a subdivision of that company or a trade name or brand name used by that company, or two unrelated publishers. Treat as a single entity or transcribe both names as publishers. |
264 | _1 | $a New York, NY : $b GRP Records, $c [1994] |
490 | 1_ | $a Decca jazz |
Unclear if a trade name is a series name or publishing subdivision. Name has been established as a series title in the LC Name Authority File. |
Manifestation: note on statement of responsibility
2.17.3.5
Other information relating to statement of responsibility
511 | 0_ | $a Dynamis Ensemble (Birgit Noite, flute ; Rocco Parisi, clarinet/bass clarinet ; Paolo Casiraghi, clarinet ; Sergio Armaroli, percussion ; Candida Felici, piano ; Dominique Chiarappa-Zyrd, violin ; Teresa Felici, violoncello) ; Javier Torres Maldonado, conductor. |
Ensemble members named parenthetically. |
511 | 0_ | $a Sasha Cooke, soprano ; Inon Barnatan, piano (in the Britten song) ; Wu Han, piano, Ani Kavafian, violin ; Lily Francis, viola ; David Finckel, cello (in the Walton quartet) ; Inon Barnatan, piano ; Miró Quartet (Daniel Ching, Sandy Yamamoto, violins ; John Largess, viola ; Joshua Gindele, cello) (in the Elgar quintet). |
Resource features multiple groups of performers responsible for expressions of different works. |
511 | 0_ | $a Various performers. |
505 | 0_ | $a Animals (1961) (Timothy Andres, prepared piano ; Caleb Burhans, Caroline Shaw, violins ; Nadia Sirota, viola ; Clarice Jensen, cello ; Chihiro Shibayama, marimba ; Chris Thompson, vibraphone) (10:00) -- Loops and sequences (1961) (Clarice Jensen, cello ; Timothy Andres, piano) (7:36) -- Three aphorisms (1960) (Timothy Andres, prepared piano) (4:00) -- Densities I (1962) : for viola solo with 4 treble instruments (Nadia Sirota, viola ; C.J. Camerieri, trumpet ; Clarice Jenson, cello ; Chihiro Shibayama, marimba ; Chris Thompson, vibraphone) (9:53) -- Four sound*poems (1962) (Clarice Jensen, Caroline Shaw, Nadia Sirota, Chris Thompson, speakers) (3:22) -- String trio (1962) (Caleb Burhans, violin ; Nadia Sirota, viola ; Clarice Jensen, cello) (12:00) -- Water music (1963) : for percussion solo and electronic tape (Alan Zimmerman, percussion) (12:40) -- Prelude to "The mystery cheese-ball" (1961) : for antiphonal rubber balloons (Timothy Andres, Caleb Burhans, Clarice Jensen, Caroline Shaw, Nadia Sirota, Chihiro Shibayama, Chris Thompson, balloons) (3:41). |
Manifestation: note on title
Title variations, inaccuracies, and deletions
2.17.2.3
Title source
245 | 10 | $a Take care. |
500 | ## | $a Title from disc label. |
245 | 10 | $a Werke für Violine und Orchester |
500 | ## | $a Title from container spine. |
505 | 0_ | $a Violinkonzert no. 2 -- Concertino de printemps -- Violinkonzert no. 1 -- Le bœuf sur le toit. |
Disc label lists titles of each work without collective title. Container spine: Werke für Violine und Orchester. |
245 | 10 | $a Hear me howling! : $b blues, ballads, & beyond |
500 | ## | $a Title from accompanying book title page. |
4 discs enclosed in "accompanying" book; labels have only volume designations, and lack the title. |
245 | 00 | $a Michael Paulo. |
246 | 1_ | $i Title on container spine: $a Michael Paulo and the Magenta Symphony Orchestra |
245 | 10 | $a English music for viola. |
246 | 1_ | $i Title on container spine: $a English viola |
245 | 10 | $a Om Shanti Om |
246 | 1_ | $i Title on container: $a Red Chillies Entertainment presents Om Shanti Om |
Manifestation: parallel designation of edition
2.5.3
250 | ## | $a Study score = $b = Studienpartitur. |
250 | ## | $a Partytura = $b = Score = Partitur. |
250 | ## | $a Erstdruck = $b = First printing. |
250 | ## | $a Partitur und Stimmen = $b = Score and parts. |
250 | ## | $a Limited edition = $b = Edición limitada. |
250 | ## | $a Édition critique = $b = Edizione critica = Critical edition. |
Manifestation: parallel statement of responsibility relating to edition
2.5.5
250 | ## | $a Vocal score / $b arranged by Sam Jones = Klavierauszug / bearbeitet von Sam Jones. |
250 | ## | $a Partition chant et piano d'après le Urtext de l'édition "L'opéra français" / $b par Karl-Heinz Müller = Piano reduction based on the Urtext of the edition "L'opéra français" / by Karl-Heinz Müller = Klavierauszug nach dem Urtext der Ausgabe "L'opéra français" / von Karl-Heinz Müller. |
250 | ## | $a Neuausgabe nach den Quellen = $b = New edition based on original sources. |
250 | ## | $a Partitur = $b = Full score. |
250 | ## | $a Erstveröffentlichung, Klavierauszug = $b = First edition, Vocal score = Première edition, Partition pour piano. |
Manifestation: parallel statement of responsibility relating to series
2.12.7
490 | 1_ | $a Sämtliche Werke für Laute / Silvius Leopold Weiss ; $v Band 2 = $a Complete works for lute / Silvius Leopold Weiss ; $v volume 2 |
800 | 1_ | $a Weiss, Silvius Leopold, $d 1687-1750. $t Lute music. $f 2002 ; $v Bd. 2. |
490 | 1_ | $a Opera omnia latina / Matthei Rosmarini ; $v I/1 = $a = Collected works / Mateo Romero ; $v volume I/1 |
800 | 1_ | $a Romero, Mateo, $d 1575 or 1576-1647. $t Choral music. $k Selections ; $v 1/1. |
Manifestation: parallel title proper
2.3.3
100 | 1_ | $a De Pastel, Karen, $d 1949- |
245 | 10 | $a Unter den Gärten von Bolhás : $b 9 Stücke über ungarische Volksmelodien für 2 Flöten = In the gardens of Bolhás : 9 pieces based on Hungarian folksongs for 2 flutes / $c Karen De Pastel. |
246 | 31 | $a In the gardens of Bolhás |
245 | 04 | $a Das dunkle Reich = $b = Dark kingdom |
246 | 31 | $a Dark kingdom |
500 | ## | $a English title from caption. |
Or | ||
245 | 04 | $a Das dunkle Reich = $b = Dark kingdom |
246 | 1_ | $i English title from caption: $a Dark kingdom |
245 | 10 | $a Píseň bohatýrská = $b = Heroisches Lied = A hero's song = Le chant héroïque : op. 111 / $c Antonín Dvořák. |
246 | 1_ | $i Parallel title on cover: $a Heldenlied |
246 | 31 | $a Heroisches Lied |
246 | 31 | $a Hero's song |
246 | 31 | $a Chant héroïque |
Manifestation: place of manufacture
2.10.2
264 | _3 | $a Austria |
Manifestation: place of production
2.7.2
264 | _0 | $a [Boston, Massachusetts] |
Title frames: An evening of opera scenes, recorded in Studio 401, March 4, 2011, by the Boston Conservatory. |
264 | _0 | $a New York |
Resource is a holograph sketch. Caption: Trio in D (1950) / B. Martinů. Page 11: New York, February 26, 1950. |
Manifestation: plate number for notated music
2.15.3
028 | 22 | $a D. 19 806 $b Doblinger |
028 | 22 | $a CMBV 063 $b Centre du musique baroque de Versailles |
028 | 22 | $a 23009-11 $b Carl Fischer |
028 | 20 | $a 23009 $b Carl Fischer |
Plate number includes additional element "-11" corresponding to the number of pages or plates in the resource. |
Manifestation: playing speed
3.16.4
Sound characteristic. Playing speed
344 | ## | $c 45 rpm $c 33 1/3 rpm |
500 | ## | $a Side one: 45 rpm; side two: 33 1/3 rpm. |
Or | ||
344 | ## | $3 Side one: $c 45 rpm |
344 | ## | $3 Side two: $c 33 1/3 rpm |
Manifestation: production method
Recording an unstructured description. Manuscripts
3.9
340 | ## | $d printout |
Or | ||
500 | ## | $a Printout. |
Recording a structured description
3.9.1.3
340 | ## | $d burning $2 rdapm |
500 | ## | $a CD-R. |
Manifestation: publication statement
2.8
028 | 02 | $a R2 72190 $b Rhino |
264 | _1 | $a Los Angeles, CA : $b Rhino, $c [1995] |
264 | _4 | $c ℗1995 |
Resource is a sound recording. On spine, disc, and back of container: Rhino (stylized RHINO, with letters of varying vertical alignment, in a red oval) On disc and back of container: All selections controlled by Rhino Records Inc. This Compilation ℗ & © 1995 Rhino Records Inc., 10635 Santa Monica Blvd., Los Angeles, CA 90025-4900. |
028 | 02 | $a GM054 $b Ghostmeat Records |
245 | 00 | $a AthFest $b Athens Georgia 2009 |
264 | _1 | $a [Athens, GA] : $b Ghostmeat Records, $c [2009] |
264 | _4 | $c ©2009 |
Resource is a sound recording. On back of container: Ghostmeat Records [logo]; Ghostmeat Records [text]; ©2009 AthFest, Inc. Smaller logos present on container: Flagpole [a local weekly paper]; Bulldog 100.1 [a radio station]; Chase Park Transduction [a recording studio]; CDman.com [a CD manufacturing and distribution service] On spine: Ghostmeat; GM054 |
264 | _1 | $a [United Kingdom?] : $b Parlophone, $c [2015] |
Or | ||
264 | _1 | $a [United Kingdom?] : $b Parlophone : $b Gem, $c [2015] |
264 | _4 | $c ℗2012 |
Or | ||
264 | _4 | $c ℗2012 $c ©2015 |
Resource is a sound recording. On disc: A Gem production [text]; ℗1972 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to Parlophone Records Ltd. Digital remaster ℗2012 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to Parlophone Records Ltd. ©2015 Jones/Tintoretto Entertainment Co., LLC. ... ©2015 Parlophone Records Ltd. A Warner Music Group Company. On container: A Gem production [under wordless graphic logo]; Parlophone [logo] |
Manifestation: publisher number for notated music
2.15.2
028 | 32 | $a FK090003 $b Serenissima Music Inc. |
028 | 62 | $a HL00042155 $b Hal Leonard Corporation |
Hal Leonard identified as a distributor on the resource. |
028 | 30 | $a 3891 $b C.F. Peters |
028 | 32 | $a Edition Peters Nr. 3891 $b C.F. Peters |
Or | ||
028 | 30 | $a 3891 $b C.F. Peters |
500 | ## | $a Publisher's number: Edition Peters Nr. 3891. |
Manifestation: recording medium
3.16.3
Sound characteristic. Recording medium
344 | ## | $b optical $2 rdarm |
Manifestation: special playback characteristic
3.16.9
Sound characteristic. Special playback characteristic
344 | ## | $h Dolby-B encoded $2 rdaspc |
Manifestation: statement of responsibility relating to edition
2.5.4
250 | ## | $a Klavierauszug = $b = Vocal score / Paul Horn. |
250 | ## | $a Revised edition / $b by Leslie Howard. |
250 | ## | $a Vocal score / $b revised by Michael Pilkington. |
250 | ## | $a Ausgabe für Violine und Klavier = $b = Edition for violin and piano / von Christian Rudolf Riedel. |
Manifestation: statement of responsibility relating to series
2.12.6
490 | 1_ | $a Ausgewählte Werke / Homilius |
800 | 1_ | $a Homilius, Gottfried August, $d 1714-1785. $t Works. $k Selections. $f 2006. |
Series represents works of a single composer. |
Manifestation: statement of responsibility relating to title proper
2.4.1.1
Statements of responsibility—Scope
245 | 00 | $a Greatest hits / $c James Galway. |
Resource is an audio recording. |
245 | 00 | $a Arias I love / $c Maria Callas. |
Resource is an audio recording. |
245 | 00 | $a My favorite things / $c John Coltrane. |
Resource is an audio recording. |
245 | 00 | $a Bangerz / $c Miley Cyrus. |
Resource is an audio recording. |
245 | 10 | $a Mendelssohn / $c Abbado. |
Resource is an audio recording. "Abbado" is in large print on the disc label. "Mendelssohn" is in smaller print below the conductor's name. "Mendelssohn" has been chosen as the title proper. |
245 | 10 | $a Britten, Haydn / $c Rostropovich ; Britten. |
Resource is an audio recording. "Rostropovich" and "Britten" are in large print on the disc label. "Britten" and "Haydn" are in smaller print below the performers' names. "Britten, Haydn" has been chosen as the title proper. |
245 | 00 | $a Crossing waves : $b British works for solo harp / $c Keziah ; featuring Malcolm Arnold, Sally Beamish, Andy Scott, Huw Watkins, Benjamin Britten. |
Resource is an audio recording. "Keziah" is in large print below the title proper on the disc label. Composers are in smaller print below the other title information. |
245 | 00 | $a Oops! ... I did it again / $c Britney Spears. |
Resource is a score. |
2.4.2
245 | 12 | $a A piece for Yvonne : $b for solo piano / $c Gustav Holst ; edited by Raymond Head. |
On caption: edited by Raymond Head. |
245 | 10 | $a Nänie : $b for chorus of mixed voices with orchestra (and harp ad libitum) op. 82 / $c [poem by] Friedrich Schiller ; [music by] Johannes Brahms ; English version by Alma Strettell. |
On title page: Friedrich Schiller, Johannes Brahms. On caption: English version by Alma Strettell. On cover: music by Johannes Brahms, poem by Friedrich Schiller. (Statements from title page transcribed first, and option under Manifestation: statement of responsibility. Clarification of role applied) |
245 | 10 | $a On the beach at Fontana : $b soprano and piano / $c Roger Sessions ; text by James Joyce. |
On cover: text by James Joyce. |
245 | 10 | $a Beggars banquet / $c the Rolling Stones. |
Resource is an audio recording. On disc label: Beggars banquet. On container: the Rolling Stones. |
Manifestation: tape configuration
3.16.7
Sound characteristic. Tape configuration
344 | ## | $e 4 track |
Manifestation: title of manifestation
Titles of manifestation of parts and iterations
2.3.1.7
245 | 10 | $a Choraleworks. $n Set II, $p Ten chorale preludes for organ |
245 | 10 | $a Ouvertures per il teatro di Shakespeare. $n N. 5, $p Il racconto d'inverno : $b per orchestra |
245 | 10 | $a Bolivian Baroque. $n Vol. 2, $p Music from the missions and La Plata |
245 | 00 | $a Billboard #1s. $p The '70s |
245 | 04 | $a The Dick Cavett show. $p Ray Charles collection |
245 | 00 | $a Musical theatre for classical singers. $p Soprano |
The compilations with this title for other voice ranges contain different songs. | ||
But | ||
245 | 10 | $a Songs of separation / $c William Grant Still. |
250 | ## | $a Tenor. |
This piece is published in tenor and baritone versions. |
Manifestation: title of manifestation
Devised titles for archival resources and collections
2.3.2.9
245 | 00 | $a Collection of 18th century English songs and ballads. |
Resource is of a type that does not normally carry a title; brackets not required per LC-PCC PS. |
245 | 04 | $a The Vivian Perlis Collection of Schmitz, Ornstein, Copland, and Kirkpatrick. |
Resource is of a type that does not normally carry a title; brackets not required per LC-PCC PS. |
Manifestation: title proper
Titles proper including music information
2.3.2.8.1
245 | 12 | $a A sonata for the guitar with an accompaniment for a violin |
Manifestation: track configuration
3.16.6
Sound characteristic. Track configuration
344 | ## | $e centre track $2 rdatc |
Manifestation: type of recording
3.16.2
Sound characteristic. Type of recording
344 | ## | $a digital $2 rdatr |
500 | ## | $a Made from an analog original. |
Manifestation: variant title of manifestation
2.3.4
Other title information [from a different source than title proper]
245 | 00 | $a Barry Manilow. |
246 | 1_ | $i Subtitle on cover: $a Sing 8 of his best with sound-alike CD tracks |
245 | 03 | $a El lenguaje del tambor |
246 | 1_ | $i Subtitle on container: $a Bata rhythms & techniques from Matanzas, Cuba |
246 | 1_ | $i Subtitle on container spine: $a Collection of tracks from performers who made their name at Harlem's legendary Apollo Theatre |
246 | 1_ | $i Subtitle on insert: $a Tribute to Peter Tosh |
2.3.6.3
245 | 00 | $a 64 spirituals a cappella : $b traditional Afro-American songs |
246 | 3_ | $a Sixty-four spirituals a cappella |
245 | 10 | $a Oscar Wilde's The happy prince |
246 | 30 | $a Happy prince |
245 | 10 | $a Variations on "Awariguli" |
246 | 30 | $a Awariguli |
245 | 10 | $a Jazz concerto : $b Hot-Sonate (Jazz-Sonate) (1930) : für Altsaxophon und Klavier |
246 | 30 | $a Hot-Sonate |
246 | 30 | $a Jazz-Sonate |
245 | 14 | $a The art of tremolo : $b a comprehensive analysis of the tremolo technique |
246 | 1_ | $i Title appears on item as: $a Mel Bay presents The art of tremolo |
245 | 10 | $a Threnody for the victims of Hiroshima / $c Krzysztof Penderecki. Popcorn superhet receiver / Johnny Greenwood. Polymorphia / Krzsztof Penderecki. 48 responses to Polymorphia / Jonny Greenwood. |
740 | 02 | $a Popcorn superhet receiver. |
740 | 02 | $a Polymorphia. |
740 | 02 | $a 48 responses to Polymorphia. |
740 | 02 | $a Forty-eight responses to Polymorphia. |
Titles proper that are forced to be recorded in 245 $c are also recorded in 740 to ensure indexing as titles. Inconsistent spellings of composer' names found in source. |
240 | 10 | $a Männerlist grösser als Frauenlist |
245 | 10 | $a Männerlist grosser als Frauenlist, oder, Die glückliche Bärenfamilie = $b = Men are more cunning than women, or, The happy bear family |
246 | 15 | $a Men are more cunning than women, or, The happy bear family |
246 | 30 | $a Männerlist grosser als Frauenlist |
246 | 30 | $a Glückliche Bärenfamilie |
246 | 30 | $a Happy bear family |
In this example, “Männerlist grösser als Frauenlist” is being given both as the preferred title (in 240) and as a variant title based on the first part of an alternative title. |
245 | 00 | $a Nigeria 70. $p Sweet times : $b Afro-funk, highlife & juju from 1970s Lagos |
246 | 30 | $a Sweet times |
246 | 30 | $a Afro-funk, highlife & juju from 1970s Lagos |
246 | 3_ | $a Nigeria seventy |
246 | 3_ | $a Afro-funk, highlife and juju from 1970s Lagos |
Work: authorized access point for work
Compilation of works by two or more agents
100 | 0# | $a Dido, $d 1971- $t Greatest hits |
And | ||
100 | 0# | $a Dido, $d 1971- $t Greatest hits (Deluxe edition) |
An album (collection aggregate) of popular music expressions by the same agent released in a standard and an extended version (containing nearly twice as much content). Examples shown in authority format. |
100 | 1# | $a Shankar, Anoushka. $t Land of gold |
An album (collection aggregate) described as "Anoushka Shankar's response to the humanitarian trauma of displaced people fleeing conflict and poverty," implying creative responsibility for the selection of works aggregated as well as the creation of the expressions manifested; also credited with partial responsibility for each work aggregated. Example shown in authority format. |
110 | 2# | $a Dread Zeppelin (Musical group). $t Fun sessions |
A compilation album (collection aggregate) recorded by Led Zeppelin cover band Dread Zeppelin, logically necessitating creative responsibility for the selection of works aggregated. Example shown in authority format. |
100 | 1# | $a Kelly, Wynton. $t Wynton Kelly collection |
A compilation score (collection aggregate) of jazz piano solos transcribed from recorded performances of Wynton Kelly originally issued 1958-1967. Example shown in authority format. |
130 | 0# | $a Elvis Presley (Amsco Publications (Firm)) |
A piano vocal score (collection aggregate) described on the cover as "Twenty-two great songs recorded by The King. Arranged for piano/vocal with complete lyrics and chord symbols." A personal name only heading for a related agent may be appropriate. The publisher is included as a qualifier as multiple resources with the same preferred title exist. Example valid in authority or bibliographic format. |
130 | 0# | $a Songs of joy & peace (Audio recording) |
An album (collection aggregate), also released as a concert videorecording, credited to "Yo-Yo Ma & friends," but without any particular emphasis on a single performer or group. Example valid in authority or bibliographic format. |
130 | 0# | $a Watercolors (Album : Von Otter) |
An album (collection aggregate) of songs by named Swedish composers, all sung by Anne Sofie von Otter; preferred title is found associated with many types of aggregates and albums by that title also recorded by numerous other performers. Example valid in authority or bibliographic format. |
Work: category of work
6.3
Form of work
100 | 1_ | $a Bach, Johann Sebastian, 1685-1750. $t Masses, $n BWV 234, $r A major |
380 | ## | $a Masses $2 lcgft |
Work authority record. In bibliographic records, prefer field 655 to field 380. |
110 | 2_ | $a Green Day (Musical group). $t American idiot (Musical) |
380 | ## | $a Musicals $a Rock music $2 lcgft |
Work authority record. In bibliographic records, prefer field 655 to field 380. |
100 | 1_ | $a Mendelssohn-Bartholdy, Felix, $d 1809-1847. $t Hebriden |
380 | ## | $a Overtures $2 lcgft |
Work authority record. In bibliographic records, prefer field 655 to field 380. |
100 | 1_ | $a Shepherd, Adaline, $d 1883-1950. $t Pickles and peppers |
380 | ## | $a Ragtime music $2 lcgft |
Work authority record. In bibliographic records, prefer field 655 to field 380. |
100 | 1_ | $a Bartók, Béla, $d 1881-1945. $t Sonatinas, $m piano $n (1915) |
380 | ## | $a Sonatina |
Work authority record. Term is in the singular form as it is not taken from a controlled vocabulary; an alternative is to use the LCGFT term "Sonatas," which has "Sonatinas" as a variant access point. In bibliographic records, prefer field 655 to field 380. |
Work: creator agent of work (and narrower elements)
19.2
Creator
100 | 1# | $a Chandler, Matt, $d 1974- $e author. |
245 | 14 | $a The explicit gospel / $c Matt Chandler with Jared Wilson. |
700 | 1# | $a Wilson, Jared C., $d 1975- $e author. |
100 | 1# | $a Helvacioğlu , Erdem, $d 1975- $e composer, $e performer. |
245 | 10 | $a Planet X / $c Erdem Helvacioğlu, Ulrich Mertin. |
500 | ## | $a "All compositions by Erdem Helvacioğlu, and Ulrich Mertin”--Program notes. |
700 | 1# | $a Mertin, Ulrich, $e composer, $e performer. |
Work: date of work
6.4
046 | ## | $k 1947 $2 edtf |
100 | 1# | $a Antheil, George, $d 1900-1959. $t Sonatas, $m piano, $n no. 3 (1947) |
Work authority record. | ||
Or | ||
046 | 1# | $k 1947 $2 edtf |
100 | 1# | $a Antheil, George, $d 1900-1959, $e composer. |
240 | 10 | $a Sonatas, $m piano, $n no. 3 (1947) |
Bibliographic format example. |
046 | ## | $k 1927 $l 1928 $2 edtf |
100 | 1# | $a Thomson, Virgil, $d 1896-1989. $t Four saints in three acts |
Work authority record. Composed 1927-1928. |
046 | ## | $k 1884 $l 1889 $2 edtf |
100 | 1# | $a Puccini, Giacomo, $d 1858-1924. $t Edgar |
Work authority record. Composed 1884-1889; revised 1889-1892; revised 1905. |
Work: key of representative expression
6.17
100 | 1# | $a Beethoven, Ludwig van $d 1770-1827. $t Sonatas, $m piano, $n no. 23, op. 57, $r F minor |
384 | 2# | $a F minor |
Work authority record. |
100 | 1# | $a Dahl, Adrian, $d 1864-1935. $t Melankoli |
384 | 2# | $a A♭ major |
Work authority record. |
Work: medium of performance of musical content of representative expression
6.15
Medium of performance
100 | 1# | $a Call, Leonhard von, $d 1767-1815. $t Serenades, $m flute, viola, guitar, $n op. 5, $r C major |
382 | 2# | $a flute $n 1 $a guitar $n 1 $a viola $n 1 $s 3 $2 lcmpt |
Work authority record. |
100 | 1# | $a Carlile, Dana. $t Ballet of phantoms |
382 | 2# | $a piano $n 1 $s 1 $2 lcmpt |
Work authority record. |
100 | 1_ | $a Torke, Michael. $t Music on the floor |
382 | 2# | $a flute $n 1 $a clarinet $n 1 $a vibraphone $n 1 $a piano $n 1 $a violin $n 1 $a viola $n 1 $a cello $n 1 $a bass $n 1 $s 8 $2 lcmpt |
Work authority record. |
100 | 1_ | $a Boulanger, Lili, $d 1893-1918. $t Nocturne, $m violin, piano |
382 | 2# | $a violin $n 1 $p flute $n 1 $a piano $s 2 $2 lcmpt |
Or | ||
382 | 2# | $a violin $n 1 $a piano $s 2 $2 lcmpt |
382 | 2# | $a flute $n 1 $a piano $s 2 $2 lcmpt |
Work authority record. Title on resource: Nocturne pour violon ou flûte et piano. For examples of bibliographic description of a manifestation of this work, see Expression: medium of performance of musical content. |
Work: numeric designation of musical work
6.16
100 | 1# | $a Walckiers, Eugène, $d 1793-1866. $t Sonatas, $m flute, piano, $n no. 2, op. 92, $r A minor |
383 | ## | $a no. 2 $b op. 92 |
Work authority record. Work has both serial number and opus number. |
100 | 1# | $a Beethoven, Ludwig van, $d 1770-1827. $t Quartets, $m violins (2), viola, cello, $n no. 8, op. 59, no. 2, $r E minor |
383 | ## | $a no. 8 $b op. 59, no. 2 |
Work authority record. Work has both serial number and opus number (including numbering within opus number). |
100 | 1# | $a Abel, Karl Friedrich, $d 1723-1787. $t Sonatas, $m flute, continuo, $n op. 6 |
383 | ## | $b op. 6 |
383 | ## | $c K. 123-128 $d Knape $2 mlati |
Work authority record. Work has both opus number and thematic index number. |
Work: place of origin of work
6.5
100 | 1# | $a Peterson, Marvin Hannibal. $t Dear Mrs. Parks |
370 | ## | $g United States $2 naf |
Work authority record. |
100 | 1# | $a Cavalli, Pier Francesco, $d 1602-1676. $t Calisto |
370 | ## | $g Venice (Italy) $2 naf |
Work authority record. |
Work: serial number of musical work
6.16.1.3.1
Numeric designation of a musical work
100 | 1# | $a Badings, Henk, $d 1907-1987. $t Concertos, $n no. 3 |
383 | ## | $a no. 3 |
Work authority record. |
100 | 1# | $a Zender, Hans. $t Hölderlin lesen, $n no. 1 |
383 | ## | $a no. 1 |
Work authority record. |
100 | 1# | $a Schneider, Enjott, $d 1950- $t Symphonies, $n no. 3 |
383 | ## | $a no. 3 |
Work authority record. Title on resource: Chinesische Jahreszeiten : Sinfonie Nr. 3 für Alt, Sheng und Orchester (2007). |
100 | 1# | $a Couperin, François, $d 1668-1733. $t Pièces de clavecin, $n livre 3 |
383 | ## | $a livre 3 |
Work authority record. |
Work: thematic index number
6.16
100 | 1# | $a Vivaldi, Antonio, $d 1678-1741. $t Concertos, $m oboes (2), horns (2), bassoon, violin, string orchestra, $n RV 569, $r F major |
383 | ## | $c RV 569 $d Ryom $2 mlati |
383 | ## | $c R. op. 46, no. 2 $d Rinaldi $2 mlati |
383 | ## | $c F. XII, 10 $d Fanna $2 mlati |
383 | ## | $c P. 273 $d Pincherle $2 mlati |
Work authority record. Work has multiple thematic index numbers. |
Work: variant access point for work
6.28.4
Variant access point representing a musical work or expression
130 | #0 | $a Sonata, $m violin, keyboard instrument, $r D major |
400 | 1# | $a Bach, Johann Christian, $d 1735-1782. $t Sonatas, $m violin, keyboard instrument, $n W. YB 22, $r D major |
Work authority record. Work is anonymous, but has also been misattributed to Johann Christian Bach. |
100 | 1# | $a Clarke, Jeremiah, $d 1669?-1707. $t Trumpet voluntary, $m harpsichord |
400 | 1# | $a Purcell, Henry, $d 1659-1695. $t Trumpet voluntary, $m piano |
Work authority record. Work has also been misattributed to Henry Purcell. |
6.28.4.5
Variant access point representing a musical expression
100 | 1# | $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Zauberflöte |
400 | 1# | $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Magic flute |
400 | 1# | $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Flûte enchantée |
400 | 1# | $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Flauta mágica |
Not | ||
100 | 1# | $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Zauberflöte. $l English |
400 | 1# | $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Magic flute |
Work authority record. Variant titles in languages other than the preferred title recorded together in work record, not separately in each expression record. |