MARC Examples by Element

Indicator notation conventions:
#
Blank value; indicator position is undefined.
_
Blank value; indicator position has a specific meaning assigned to blank values.

Community resources. Community refinements. Work refinements: preferred title of musical work: legacy Anglo-American instructions

6.14.2.3.1

Preferred title for a musical work

100 1# $a Beethoven, Ludwig van, $d 1770-1827. $t Gesänge, $n op. 75
400 1# $a Beethoven, Ludwig van, $d 1770-1827. $t Songs, $n op. 75

Record in authority format.

Titles on resource: Sechs Gesänge = Six songs : op. 75

Title in Kinsky: Sechs Gesänge für eine Singstimme mit Klavierbegleitung, opus 75

Title in Grove Music Online: Six songs, op. 75

Original language chosen for the preferred title.

But
100 1# $a Bartók, Béla, $d 1881-1945. $t Quartets, $m violins (2), viola, cello, $n no. 1, op. 7
400 1# $a Bartók, Béla, $d 1881-1945. $t Négyesek, $m violins (2), viola, cello, $n no. 1, op. 7

Titles on resource: I vonósnégyes = Streichquartett Nr. 1 = String quartet no. 1 : op. 7

Title in Somfai: String quartet no. 1, op. 7

Title in Grove Music Online: String quartet no. 1, op. 7

Title in Antokoletz: I vonósnégyes [String quartet no. 1] op. 7

Preferred title chosen for other Bartok string quartets already present in the LCNAF: Quartets

English language chosen for the preferred title.

Individual musical work. Title consisting solely of the name of one type of composition

6.14.2.5.2

100 1# $a Poulenc, Francis, $d 1899-1963. $t Aubade
Record in authority format. Title: Aubade : concerto chorégraphique pour piano et 18 instruments. Recorded as a distinctive title.
100 1# $a Nielsen, Carl, $d 1865-1931. $t Humoreske-bagateller
Record in authority format. Compound title consisting of two types of composition; treated as a distinctive title.

Two or more parts of a musical work

6.14.2.7.2

100 1# $a Mozart, Wolfgang Amadeus, $d 1756-1791, $e composer.
240 10 $a Don Giovanni. $k Selections
245 10 $a Don Giovanni : $b highlights / $c Mozart ; libretto, Lorenzo da Ponte.
505 0_ $a Madamina, il catalogo è questo (6:01) -- Là ci darem la mano (3:28) -- Don Ottavio, son morta ... Or sai chi l'onore (6:33) -- Dalla sua pace (4:18) -- Finch'han dal vino (1:26) -- Batti, batti, o bel Masetto (4:01) -- Deh, vieni alla finestra (1:57) -- Vedrai, carino (3:47) -- Il mio tesoro (5:05) -- In quali eccessi ... Mi tradì (6:07) -- Crudele? Ah no, mio bene ... Non mi dir (7:33) -- Finale (12:41).
700 12 $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Madamina, il catalogo è questo.
700 12 $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Là ci darem la mano.
700 12 $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Don Ottavio, son morta.
700 12 $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Dalla sua pace.
700 12 $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Finch'han dal vino.
700 12 $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Batti, batti, o bel Masetto.
700 12 $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Deh, vieni alla finestra.
700 12 $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Vedrai, carino, se sei buonino.
700 12 $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Mio Tesoro.
700 12 $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p In quali eccessi.
700 12 $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Crudele? Ah no, mio bene.
700 12 $i Expression manifested: $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Don Giovanni. $p Finale.
Conventional collective title Selections used as the preferred title for parts of a musical work. Preferred title for each part also recorded separately in access points.

Compilation of complete works of one composer in one broad or specific medium

6.14.2.8.2

100 1# $a ... $t Violin, piano music
Or
240 10 $a Violin, piano music
Preferred title for a compilation of the complete works of one composer for violin and piano; medium of performance terms taken from LCMPT. Shown in authority format and bibliographic format, respectively.
100 1# $a ... $t Instrumental music
Or
240 10 $a Instrumental music
Preferred title for a compilation of the complete works of one composer for instruments, without voices; term taken from LCSH. Shown in authority format and bibliographic format, respectively.

Complete works of a single type of composition for one specific medium or various media

6.14.2.8.3

100 1# $a ... $t Ballets
Or
240 10 $a Ballets
Preferred title for a compilation of the complete works of one composer consisting of a single type of composition. Preferred title taken from LCGFT term: Ballets (Music); parenthetical qualifier omitted. Shown in authority format and bibliographic format, respectively.

Compilation of musical works by one composer

6.14.2.8.4

Incomplete compilations

100 1# $a Haydn, Joseph, $d 1732-1809, $e composer.
240 10 $a Symphonies. $k Selections
505 0_ $a No. 3 in G major -- No. 14 in A major -- No. 15 in D major -- No. 17 in F major -- No. 19 in D major -- No. 20 in C major -- No. 25 in C major -- No. 33 in C major -- No. 36 in E flat major -- No. 108 (Partita) in B flat major.
Preferred title for an aggregating work with a generic title recorded as a conventional collective title. Individual works aggregated identified only via contents note.
100 1# $a Hindemith, Paul, $d 1895-1963, $e composer.
240 10 $a Sonatas. $k Selections
505 0_ $a Oboe sonata -- Clarinet sonata -- English horn sonata -- Flute sonata.
700 12 $i Expression manifested: $a Hindemith, Paul, $d 1895-1963. $t Sonatas, $m oboe, piano.
700 12 $i Expression manifested: $a Hindemith, Paul, $d 1895-1963. $t Sonatas, $m clarinet, piano.
700 12 $i Expression manifested: $a Hindemith, Paul, $d 1895-1963. $t Sonatas, $m English horn, piano.
700 12 $i Expression manifested: $a Hindemith, Paul, $d 1895-1963. $t Sonatas, $m flute, piano.
Preferred title for an aggregating work with a generic title recorded as a conventional collective title. Preferred titles for individual works aggregated recorded as components of authorized access points.
100 1# $a Strauss, Richard, $d 1864-1949, $e composer.
240 10 $a Through life and love
505 00 $g Youth = Das Mädchen. $t Nichts $g (1:40) ; $t Leisis Lied $g (3:13) ; $t Ständchen $g (2:42) ; $t Schlagende Herzen $g (2:29) ; $t Heimliche Aufforderung $g (3:16) -- $t Longing = Sehnsucht. $t Sehnsucht $g (4:27) [etc....]
700 12 $i Expression manifested: $a Strauss, Richard, $d 1864-1949. $t Lieder, $n op. 10. $p Nichts.
700 12 $i Expression manifested: $a Strauss, Richard, $d 1864-1949. $t Lieder, $n op. 39. $n Lieses Lied.
700 12 $i Expression manifested: $a Strauss, Richard, $d 1864-1949. $t Lieder, $n op. 17. $n Ständchen.
700 12 $i Expression manifested: $a Strauss, Richard, $d 1864-1949. $t Lieder, $n op. 29. $n Schlagende Herzen.
700 12 [Etc...]
Preferred title for an aggregating work with a distinctive title recorded based on the title proper of the aggregate manifestation. Preferred titles for individual works aggregated recorded as components of authorized access points.

Corporate Body: authorized access point for corporate body

11.13.1.1

General guidelines on constructing authorized access points to represent corporate bodies

110 2# $a Birds of America (Musical group)
Record in authority format. Category of corporate body added to access point as preferred name does not convey the idea of a corporate body
110 2# $a Cajun Ramblers
Record in authority format. Preferred named conveys the idea of a corporate body; no qualifier added merely to bring out the musical aspect of the corporate body.

Additional elements and designations in authorized access point for corporate body

11.13.1.2

Type of corporate body

110 2# $a Ambassadors (Musical group)
110 2# $a Ambassadors (Blues group)
110 2# $a Ambassadors (Dance orchestra)
110 2# $a Ambassadors (Musical group : England)
110 2# $a Ambassadors (Musical group : Jimmy Stella)
Records in authority format. Term "Musical group" alone insufficient to distinguish between multiple corporate bodies with the same preferred name.

Corporate Body: category of corporate body

11.7.1.4

Other designation associated with corporate body. Type of corporate body

110 2_ $a Led Zeppelin (Musical group)
368 ## $a Musical groups $2 lcsh
Record in authority format.

Expression: capture information

7.11

Place and date of capture

033 00 $a 19640920 $b 4364 $c L8
518 ## $o Recorded in concert $p Shrine Civic Auditorium, Los Angeles, CA $d 1964 September 20.
033 20 $a 20100822 $a 20100828 $b 7064 $c M7
033 00 $a 20110423 $b 7064 $c M7
518 ## $o Recorded $d 2010 August 22-28 $d 2011 April 23 $p 5th Studio of the Russian Television and Radio Broadcasting Company, Moscow, Russia.
033 10 $a 19921201 $a 19921202 $b 5754 $c L7
033 00 $a 19640706 $b 4364 $c L8:2H5
033 00 $a 19540614
033 00 $a 1954---- $b 4364 $c L8:2H5
518 ## $3 Royal Philharmonic Orchestra performances $o recorded $d 1992 December 1-2 $p St. Mary's Church, Petersham, London.
518 ## $3 Sinfonia of London performance $o recorded $d 1964 July 6 $p Hollywood, California.
518 ## $3 Dmitri Tiomkin Orchestra performances $o recorded $d 1954 June 14.
518 ## $3 Paramount Studio Orchestra performance $o recorded $d 1954 $p Paramount Studios, Hollywood, California.

Expression: content type

6.9

006 $a jsynn############n
336 ## $a text $2 rdacontent
336 ## $a performed music $2 rdacontent
Resource is a book issued with an audio recording.
336 ## $a performed music $2 rdacontent
336 ## $a text $2 rdacontent
Resource is an audio recording issued with a significant text volume.
300 ## $a 1 audio disc (48 min., 17 sec.) ; $c 4 3/4 in.
300 ## $a 1 videodisc (1 hr., 3 min., 25 sec.) : $b color ; $c 4 3/4 in.
336 ## $3 audio disc $a performed music $2 rdacontent
336 ## $3 videodisc $a two-dimensional moving image $2 rdacontent

Expression: creator agent of expression (and narrower elements)

20.2

Contributor

Note: LC-PCC practice for relationship elements: Do not record the name of the element in 100/110/700/710 $e or $i or 111/711 $j in the MARC bibliographic format, or in 500/510/511 $i in the authority format. Instead, record the corresponding PCC relationship label for the element.
110 2# $a Majorstuen (Musical group), $e composer, $e instrumentalist.
245 14 $a The boréales : $b sound of northern Europe / $c Majorstuen.
511 0# $a Majorstuen (Jorun Marie Kvernberg ; Andreas Ljones ; Gjermund Larsen ; Tove Dalbakk ; Synnøve S. Bjørset ; Ragnhild Furebotten).
No access points given for the individual perfomers in the group. Note that in this example, the performing group is the creator of both the work (composer) and the expression (instrumentalist).
511 0# $a Philharmonia Orchestra ; Christoph von Dohnányi, conductor.
700 1# $a Dohnányi, Christoph von, $e conductor.
710 2# $a Philharmonia Orchestra (London, England), $e instrumentalist.
245 00 $a Morning has broken : $b playtime songs on flute and harp / $c Steve Alder, Julie Keyes ; arranged by Kurt Bestor.
700 1# $a Alder, Steve, $e instrumentalist.
700 1# $a Keyes, Julie, $e instrumentalist.
700 1# $a Bestor, Kurt, $e arranger of music.
245 04 $a The Doris Day songbook.
500 ## $a Popular songs and excerpts from motion pictures, as performed by Doris Day.
700 1# $a Day, Doris, $d 1922-2019, $e related person.
Nature of relationship to resource indirect or unclear.

Expression: duration

7.22.1.3

300 ## $a 1 audio disc (1 hr., 30 min.)
306 ## $a 013000
Resource is an audio recording.
500 ## $a Duration: approximately 15 min.
Resource is a score. On cover verso: DURATION c. 15 minutes

7.22.1.4

Duration of component parts

300 ## $a 1 audio disc (75 min., 29 sec.)
505 0_ $a Songs of life and death, op. 69 (46:55) -- The iron age suite, op. 55 (28:23).
Resource is an audio recording.
300 ## $a 2 audio discs (1:00:44 ; 1:12:02)
306 ## $a 003906 $a 002138 $a 004825 $a 002337
505 00 $g Disc 1. $t Raga jhinjhoti $g (39:06) ; $t Raga khamaj $g (21:38) -- $g Disc 2. $t Raga bihag $g (48:25) ; $t Raga pancham se gara $g (23:37).
Resource is an audio recording.
245 10 $a Serenade for clarinet, bass clarinet, mandolin, guitar, violin, viola, cello and bass voice, op. 24 ; ǂb Chamber symphony : no. 1, op. 9
306 ## $a 003500 $a 002109
500 ## $a Durations: 35:00; 21:09.
Resource is an audio recording.

Expression: form of musical notation

7.13.3

348 ## $c tablature $2 rdafmn
348 ## $c staff notation $c tablature $2 rdafmn
546 ## $b Staff notation; $b Tablature.
Or
348 ## $c staff notation $2 rdafmn
348 ## $c tablature $2 rdafmn
546 ## $b Staff notation; $b Tablature.
Field 546 also recorded to support local discovery system needs. OCLC prefers that multiple 348 terms be entered in separate fields.
348 ## $c verbal instructions
Or
546 ## $b Verbal instructions.
Controlled term not available.
348 ## $c staff notation $2 rdafmn
348 ## $c chord symbols $c guitar chord diagrams
Or
348 ## $c staff notation $2 rdafmn
546 ## $b Chord symbols; $b Guitar chord diagrams.
Resource is a "piano-vocal-guitar" score; mixed controlled and uncontrolled terms.
348 ## $c chord symbols $c guitar chord diagrams
546 ## $a English, French, Italian and Azerbaijani words.
Or
546 ## $a English, French, Italian and Azerbaijani words.
546 ## $b Chord symbols; $b Guitar chord diagrams.
Not
546 ## $a English, French, Italian and Azerbaijani words; $b Chord symbols; $b Guitar chord diagrams.
Uncontrolled terms recorded alongside a language note.

Expression: format of notated music

7.20

348 ## $a vocal score $a piano conductor part $a part $2 rdafnm
Or
348 ## $a vocal score $2 rdafmn
348 ## $a piano conductor part $2 rdafnm
348 ## $a part $2 rdafnm

Expression: identifier for expression

6.13

024 0_ $a BRBMG0300729
ISRC for a specific audio track.

Expression: intended audience of expression

7.7

Intended audience

008 22 j
521 1# $a 2-9.
521 8# $a Parental advisory, explicit content.

Expression: language of expression

6.11

7.12

Language of expression; Language of content

041 0_ $d arm $d cau $d geo $d tur $e arm $e cau $e geo $e tur $g cau $g eng $g geo $g ger $g tur
546 ## $a Sung in Turkish, Georgian, Laz, Hemshin, and Mingrelian.
500 ## $a Turkish, Georgian, Laz, Hemshin and Mingrelian lyrics and notes in Turkish, English, German, Laz, and Georgian inserted in container.
041 0_ $d frm $d ita $d lat $e dut $e eng $e fre $e frm $e lat $e ita $n frm $n frm $n lat $g dut $g eng $g fre $g ger
546 ## $a Sung in Italian, Middle French and Latin.
500 ## $a Italian, Middle French, and Latin lyrics with French, Dutch and English translations and program notes in French, Dutch, English and German inserted in container.
041 1_ $a swe $a ger $h ice $g swe $g ger
546 ## $a Swedish and German words.
500 ## $a Text originally in Icelandic. Performance notes in Swedish and German; German translation of the text by Fritz Tutenberg.

Expression: medium of performance of musical content

6.15

7.21

Medium of performance

100 1# $a Forsyth, Josephine, $d 1889-1940, $e composer.
240 10 $a Lord's prayer; $o arranged
382 01 $a soprano voice $n 1 $a alto voice $n 1 $a organ $n 1 $s 3 $2 lcmpt
Originally for solo voice, arranged for vocal duet; medium of performance of musical content reflects only the expression manifested in the resource cataloged.
100 1# $a Boulanger, Lili, $d 1893-1918, $e composer.
240 10 $a Nocturne, $m violin, piano
245 10 $a Nocturne pour violon ou flûte et piano / $c Lili Boulanger.
382 01 $a violin $n 1 $p flute $n 1 $a piano $s 2 $2 lcmpt
Or
382 01 $a violin $n 1 $a piano $s 2 $2 lcmpt
382 01 $a flute $n 1 $a piano $s 2 $2 lcmpt
Resource is a score with alternative instrument specified by the composer, described in a bibliographic record for a manifestation. For description of the work in an authority record, see Work: medium of performance of musical content of representative expression.
500 ## $a Motet for soprano solo and orchestra.
500 ## $a Catulli carmina is a pantomime with music, for solo voices (ST), chorus (SATB), 4 pianos, and percussion; Trionfo di afrodite is a concerto scenica for solo voices, chorus and orchestra.
500 ## $a Originally for voice and piano, arranged for soprano and orchestra.

Guidance: Describing a manifestation

Describing a manifestation that is issued in two or more physical or logical units

3.1.4

Resources consisting of more than one carrier type

300 ## $a 1 score (xxxii pages) ; $c 30 cm + $e 1 audio disc (4 3/4 in.)
Or
300 ## $a 1 score (xxxii pages) ; $c 30 cm
300 ## $a 1 audio disc ; $c 4 3/4 in.
Resource is a book or score issued with an audio or video carrier.
300 ## $a 1 audio disc ; $c 4 3/4 in.
344 ## $a digital $2 rdatr
347 ## $a audio file $2 rdaft
500 ## $a Song texts with English translations from Yiddish and Hebrew (4 unnumbered pages) inserted in container.
Or
300 ## $a 1 audio disc ; $c 4 3/4 in.
300 ## $a 4 unnumbered pages ; $c 12 cm
344 ## $3 Audio disc $a digital $2 rdatr
347 ## $3 Audio disc $a audio file $2 rdaft
347 ## $3 Audio disc $b CD audio
Resource consists of a disc with booklet inserted in container. Generally apply the first option unless the accompanying volume is substantial in content or extent.
300 ## $a 6 audio discs (42 min. each) ; $c 4 3/4 in.
300 ## $a 7 volumes : $b illustrations ; $c 12 cm
344 ## $3 Audio discs $a digital $2 rdatr
347 ## $3 Audio discs $a audio file $2 rdaft
347 ## $3 Audio discs $b CD audio
Resource consists of six discs, each with a container insert, plus a seventh text volume for the entire set.

Guidance: Guidelines on normalized transcription

Symbols

1.7.5

264 _1 $a Colchester, Essex, England : $b Chandos
Typographical devices are used as separators in the place of publication on the source of information. These are ignored; commas are added for clarity.
245 10 $a [Four symbols] / $c Led Zeppelin.
246 1_ $i Also known as: $a Zoso
246 1_ $i Also known as: $a Led Zeppelin IV
246 1_ $i Also known as: $a Untitled
The title on the source of information consists of four symbols that cannot be reproduced. This album is known by many names, including Four symbols, but more commonly Led Zeppelin IV.

Numbers

1.8.2

490 1_ $a AIMP ; $v CIII
830 _0 $a Archives internationales de musique populaire (Series) ; $v 103.
490 1_ $a Documenta musicologica. Zweite Reihe, Handschriften-Faksimiles ; $v Band XLIII
830 _0 $a Documenta musicologica. $n 2. Reihe, $p Handschriften-Faksimiles ; $v 43.

Guidance: Introduction to RDA. Data elements

Recording relationship elements

18.5.1.3

Recording relationship designators
Note: LC-PCC practice for relationship elements: Do not record the name of the element in 100/110/700/710 $e or $i or 111/711 $j in the MARC bibliographic format, or in 500/510/511 $i in the authority format. Instead, record the corresponding PCC relationship label for the element.
100 1# $a Alvin, Dave, $e composer, $e performer.
710 2# $a Bossa Jazz Trio, $e instrumentalist.
710 2# $a Stanford University. $b Chamber Chorale, $e singer.
100 1# $a Ewazen, Eric, $d 1954- $e composer.
700 1# $a Huth, Peter $c (Music editor), $e editor.
700 1# $a Ryerson, Edward L. $q (Edward Larned), $d 1886-1971, $e dedicatee, $e former owner.
Relationship labels given in WEMI order, as per LC-PCC PS and the PCC Training Manual for Applying Relationship Designators in Bibliographic Records.
100 1# $a Cage, John, $e composer.
240 10 $a Melodies, $m violin, keyboard instrument
But
700 12 $i Expression manifested: $a Cage, John. $t Melodies, $m violin, keyboard instrument.
The expression manifested relationship is implicit in field 100+240, but not in field 700.

Recording relationship elements

25.1

Related work

Note: LC-PCC practice for relationship elements: Do not record the name of the element in 100/110/700/710 $e or $i or 111/711 $j in the MARC bibliographic format, or in 500/510/511 $i in the authority format. Instead, record the corresponding PCC relationship label for the element.
100 1# $a Carpenter, John Alden, $d 1876-1951, $e composer.
245 14 $a The birthday of the infanta
500 ## $a Inspired by Oscar Wilde's The birthday of the Infanta.
700 1_ $i Adaptation of: $a Wilde, Oscar, $d 1854-1900. $t Birthday of the Infanta.
100 1# $a Corner, Philip, $e composer.
245 10 $a Petite fantasie "Les barricades mysteriusies" de Francios Couperin (already a revelation) : $b piano, conceivably organ / $c Philip Corner.
246 1_ $i Title should read: $a Petite fantaisie "Les barricades mystérieuses" de François Couperin (already a revelation)
500 ## $a An indeterminate work based on music of Couperin.
700 1_ $i Based on: $a Couperin, François, $d 1668-1733. $t Pièces de clavecin, $n 2e livre. $n No 6, $p Baricades mystérieuses.

Manifestation: carrier type

Condition: A manifestation consists of more than one carrier type

3.3

300 ## $a 1 audio disc (48 min., 17 sec.) ; $c 4 3/4 in.
300 ## $a 1 videodisc (1 hr., 3 min., 25 sec.) : $b sound, color ; $c 4 3/4 in.
338 ## $3 CD $a audio disc $2 rdacarrier
338 ## $3 DVD $a videodisc $2 rdacarrier

Manifestation: configuration of playback channels

3.16.8

Sound characteristic. Configuration of playback channels

344 ## $g stereo $g surround $2 rdacpc
Or
344 ## $g stereo $2 rdacpc
344 ## $g surround $2 rdacpc

Manifestation: copyright date

2.11

264 _1 $c [2011]
264 _4 $c ©2011
264 _1 $c [2010]
264 _4 $c ℗2008
Resource is an audio recording. Phonogram copyright date determined to apply to the resource as a whole
264 _1 $c [2010]
264 _4 $c ©2010 $c ℗2008
Resource is an audio recording. Phonogram copyright date determined to apply to the resource as a whole and regular copyright date optionally recorded.
264 _1 $c [2013]
264 _4 $c ©2013
500 ## $a ℗2012, ℗2013.
Resource is an audio recording. Neither phonogram copyright date can be determined to apply to the resource as a whole.

Manifestation: date of manufacture

2.10.6

264 _3 $a Austria : $b fabriqué par Sony DADC, $c 2012.

Manifestation: date of production

2.7.6

264 _0 $a [Boston, Massachusetts] : $b Boston Conservatory, $c March 4, 2011.
Title frames: An evening of opera scenes, recorded in Studio 401, March 4, 2011, by the Boston Conservatory. Resource is a first-generation videocassette.
264 _0 $a New York : $b B. Martinů, $c 1950 February 26.
Resource is a holograph sketch. Caption: Trio in D (1950) / B. Martinů. Page 11: New York, February 26, 1950.

Manifestation: date of publication

Condition: A value of Manifestation: date of publication cannot be found in a manifestation that is being described

2.8.6.6

Date of publication not identified in a single-part resource

264 _1 $c [2011]
264 _4 $c ©2011
And
008 06 t
008 07-14 2011, 2011
Date of publication inferred from copyright date.
264 _1 $c [2011?]
264 _4 $c ©1991
Date of publication inferred from date given in preface.

Manifestation: designation of edition

2.5.2

250 ## $a Low voice.
245 10 $a Songs of separation / $c William Grant Still.
250 ## $a Tenor.
And
245 10 $a Songs of separation / $c William Grant Still.
250 ## $a Baritone.
These publications manifest the same work in tenor and baritone versions.
But
245 00 $a Musical theatre for classical singers. $p Soprano.
The compilations with this title for other voice ranges contain different songs.
250 ## $a Partitur und Stimmen.
250 ## $a Klavierauszug.
250 ## $a Studien- und Dirigierpartitur.
250 ## $a Flute and piano reduction.
245 10 $a Six great secular cantatas / $c Johann Sebastian Bach.
250 ## $a In full score.
On title page: Six great secular cantatas in full score.
245 10 $a Orlando furioso : $b dramma per musica in tre atti, RV 728 / $c Antonio Vivaldi ; arrangement pour clavier, Jacques Manet ...
250 ## $a Chant et clavier.
On title page: Arrangement pour clavier, Jacques Manet. On cover: Chant et clavier.
245 10 $a Konzert für Violine und Orchester D-Dur / $c Ludwig van Beethoven.
250 ## $a Ausgabe für Violine und Klavier = $b = Edition for violin and piano / von Christian Rudolf Riedel.
On title page: Ausgabe für Violine und Klavier von Christian Rudolf Riedel = Edition for violin and piano.

Manifestation: designation of named revision of edition

2.5.6

250 ## $a 5th edition, with corrections.
250 ## $a Study score.

Manifestation: digital file characteristic

Manifestation: file type

3.19.2

347 ## $a audio file $2 rdaft

Manifestation: encoding format

3.19.3

347 ## $b CD audio $b SACD
347 ## $a audio file $2 rdaft
347 ## $b DVD audio
347 ## $a audio file $2 rdaft
347 ## $b CD audio $b AAC
Resource contains one compressed AAC audio file in addition to standard uncompressed "Red Book" CD audio.

Manifestation: dimensions

Multiple unit manifestations. Notated music

3.5.1.6

Manifestation consisting of more than one carrier. Exception

300 ## $a 1 score (15 pages) ; $c 43 cm + $a 23 parts ; $c 32 cm
Or
300 ## $a 1 score (15 pages) ; $c 43 cm
300 ## $a 23 parts ; $c 32 cm
300 ## $a 1 score (8 pages) ; $c 30 cm
300 ## $a 1 part (3 pages) ; $c 30 cm

Manifestation: distribution statement

2.9

264 _2 $a Milwaukee, WI : $b Hal Leonard Corporation
264 _2 $a Kraków : $b Andromeda
264 _2 $a Kassel ; $a New York : $b distribution mondiale Bärenreiter
264 _2 $a Paris : $b distribution pour le monde entier, Alphonse Leduc
264 _2 $a Oaks, PA : $b Eclectic DVD Distribution

Manifestation: edition statement

2.5.1.4

250 ## $a Revised 1947 version.
250 ## $a Full orchestral score.
250 ## $a Full score.
250 ## $a Second printing with revisions.
Designation of edition (indicating a particular format of notated music) and designation of named revision (indicating a change in content) refer to different aspects of the edition.
But
250 ## $a 4th ed., reprinted with corrections.
Designation of edition (indicating a particular version of content) and designation of named revision (indicating changes to that version) both describe the same aspect of the edition.

Manifestation: equipment or system requirement

3.20

538 ## $a Hybrid Super Audio CD (SACD): CD standard stereo playable on regular CD player; requires SACD player and playback equipment with analog inputs for DSD (Direct Stream Digital) stereo or 4.0 multichannel surround sound to audition SACD-encoded layers.

Manifestation: expression manifested

25.1

Related work

245 04 $a The lark ascending / $c Butterworth, Delius, Elgar, Vaughan Williams, Walton, Warlock.
700 12 $i Expression manifested: $a Vaughan Williams, Ralph, $d 1872-1958. $t Lark ascending.
Audio recording containing 19 works; access point given for a representative expression of only the most prominently named work.

17.10.1.3

100 10 $a León, Tania, $e composer.
240 10 $a Scourge of the hyacinths. $p Oh Yemanja
245 10 $a Oh Yemanja : $b interlude and scene 11 from the opera Scourge of the hyacinths : for mezzo-soprano, violoncello and piano / $c Tania León.
Score containing a single expression of one work. The relationship is implied by field 240/245 rather than explicitly stated.

Manifestation: extent of manifeststion

Subunits in multiple unit manifestations; Units and sets of units with identical content

300 ## $a 2 identical scores (23 pages each)

Extent of manifestations of notated music

3.4.3

300 ## $a 1 score (73 pages) + 5 parts
300 ## $a 1 score (3 volumes) + 4 parts (3 volumes)
300 ## $a 1 score (3 volumes) + 12 parts
505 0_ $a v. 1. Sonatas 1-5, two violins and basso continuo (1 score + 3 parts) -- v. 2. Sonatas 6-9, two violins, violone and basso continuo (1 score + 4 parts) -- v. 3. Sonatas 10-12, two violins, viola, violone and basso continuo (1 score + 5 parts).
Each volume includes a separate set of parts, for a total of 12 parts.

Number of subunits. Computer discs, cartridges, etc.

3.4.1.7.1

300 ## $a 1 audio disc (14 audio files)
Resource is a CD-R containing sound files in MP3 format. "Audio disc" used per Supplement 2.
300 ## $a 1 computer disc (1 score (1814 pages))
300 ## $a 1 volume (389 pages)
Resource consists of 1 PDF score on CD-ROM with accompanying commentary volume.

Number of subunits. Online resources

3.4.1.7.5

300 ## $a 1 online resource (1 score (16 pages))
300 ## $a 1 online resource (1 score (33 pages) + 3 parts)
Score and parts in separate files.
300 ## $a 1 online resource (1 score and 1 part (23, 5 pages))
Score and part combined in a single file.

Extent of manifestations of text. Single unit manifestations. Single volumes with unnumbered pages, leaves, or columns

3.4.5.3

300 ## $a 1 score (1 unnumbered leaf)
300 ## $a 1 score (1 volume (unpaged))

Extent of manifestations of text. Single unit manifestations. Complicated or irregular paging, etc.

3.4.5.8

300 ## $a 1 score (various pagings)
Or
300 ## $a 1 score (10, 9, 10, 8, 10 pages)
300 ## $a 1 score (2 volumes (various pagings))

Extent of manifestations of text. Single unit manifestations. Single sheets

3.4.5.14

300 ## $a 1 vocal score (1 unnumbered leaf)

Extent of manifestations of text. Multiple unit manifestations. Two or more volumes. Continuously paged volumes

3.4.5.17

300 ## $a 1 score (2 volumes (588 pages))

Extent of manifestations of text. Multiple unit manifestations. Two or more sheets

3.4.5.20

More than one sheet

300 ## $a 1 part (3 leaves)
300 ## $a 1 score (5, 5 leaves)

Manifestation: generation

3.10

340 ## $j stamper $2 rdagen

Manifestation: groove characteristic

Manifestation: groove width

3.16.5

Sound characteristic. Groove characteristic

344 ## $d microgroove $2 rdagw
Resource is an analog disc.

Manifestation: groove pitch

Sound characteristic. Groove characteristic

344 ## $d fine $2 rdagrp
Resource is an analog cylinder.

Manifestation: identifier for manifestation

2.15

020 ## $a 0895796929
024 1_ $a 680160601042
024 2_ $a M001178969
Or
024 2_ $a M001178969
024 2_ $a 9790001178969
10-character ISMN given on resource. ISMNs may be converted between 10- and 13-character formats by replacing "M" with "9790" or vice versa.
024 2_ $a 9790215319196
Or
024 2_ $a 9790215319196
024 3_ $a 9790215319196
A 13-digit ISMN may be recorded as an EAN.
028 02 $a HBR 00001 $b Hidden Beach Recordings
028 62 $a EK 62137 $b Epic
Resource is a sound recording. On container: Hidden Beach Recordings, Manufactured and distributed by Epic.
028 42 $a OA 0969 D $b Opus Arte
Resource is a video recording.
028 02 $a 438 953-2 $b Philips Classics $q (set)
028 02 $a 438 954-2 $b Philips Classics $q (disc 1)
028 02 $a 438 955-2 $b Philips Classics $q (disc 2)
Resource is a two-disc audio recording with separate identifiers for the container and each disc.
028 02 $a BG 4004 $b Bourg Records $q (disc 1)
028 02 $a BG 4005 $b Bourg Records $q (disc 2)
Resource is a two-disc audio recording with separate identifiers for each disc.
028 02 $a NI 5885/6 $b Nimbus Records $q (set)
028 02 $a NI 5885 $b Nimbus Records $q (disc 1)
028 02 $a NI 5886 $b Nimbus Records $q (disc 2)
Resource is a two-disc audio recording with separate identifiers for the container and each disc.
028 02 $a ECM 2316 $b ECM $q (disc 1)
028 02 $a 372 9527 $b ECM $q (disc 1)
028 02 $a ECM 2317 $b ECM $q (disc 2)
028 02 $a 372 9528 $b ECM $q (disc 2)
Resource is a two-disc set that has two numbering schemes; disc labels include both numbers.
028 02 $a COL-CD-6618 $b Collectables Records
028 00 $a 1446 $b Atlantic
028 00 $a 1509 $b Atlantic
500 ## $a Originally issued as analog discs in 1966 (Atlantic 1446; Soulero) and 1969 (Atlantic 1509; Laws' cause).
Resource is a re-release of two albums; the issue numbers of the original releases are known.
028 02 $a 88697 56207 2 $b Masterworks Broadway
028 00 $a ML 4140 $b Columbia
028 00 $a OL 4140 $b Columbia
500 ## $a Originally released February 15, 1949, as Columbia ML/OL 4140.
Resource previously released in mono and stereo formats; the issue numbers of the original releases are known.

Incorrect identifiers

2.15.1.6

020 ## $z 9780711932982 $q (print)
Resource is an electronic score; ISBN is for the print version

Manifestation: media type

Condition: A manifestation consists of two or more media types

3.2

300 ## $a 1 audio disc (48 min., 17 sec.) ; $c 4 3/4 in.
300 ## $a 1 videodisc (1 hr., 3 min., 25 sec.) : $b color ; $c 4 3/4 in.
337 ## $3 CD $a audio $2 rdamedia
337 ## $3 DVD $a video $2 rdamedia

Manifestation: name of manufacturer

2.10.4

Manufacturer's name

264 _3 $a Austria : $b fabriqué par Sony DADC

Manifestation: name of producer

2.7.4

Producer's name

264 _0 $a [Boston, Massachusetts] : $b Boston Conservatory
Title frames: An evening of opera scenes, recorded in Studio 401, March 4, 2011, by the Boston Conservatory.
264 _0 $a New York : $b B. Martinů
Resource is a holograph sketch. Caption: Trio in D (1950) / B. Martinů. Page 11: New York, February 26, 1950.

Manifestation: name of publisher

2.8.4

Publisher's name

264 _1 $a [Hamburg, Germany] : $b Archiv Produktion, a Universal Music company
Resource is an audio recording. Trade name or brand name (label) used by a company recorded as publisher's name.
264 _1 $a New York, N.Y. : $b London
Resource is an audio recording. On label: London; on container: London Records, a division of Polygram Records, Inc., New York, N.Y.
264 _1 $a Minneapolis, Minnesota : $b Libby Larsen Publishing : $b Kenwood Editions
Unclear whether two names in the same source represent a publishing company and the name of a subdivision of that company or a trade name or brand name used by that company, or whether they represent two unrelated publishers; both names transcribed as publishers.
264 _1 $a [Paris] : $b Opus111 : $b Naïve
Or
264 _1 $a Paris : $b Opus111/Naïve
On resource: Opus111/Naïve. Unclear whether two names in the same source represent a publishing company and the name of a subdivision of that company or a trade name or brand name used by that company, or two unrelated publishers. Treat as a single entity or transcribe both names as publishers.
264 _1 $a New York, NY : $b GRP Records, $c [1994]
490 1_ $a Decca jazz
Unclear if a trade name is a series name or publishing subdivision. Name has been established as a series title in the LC Name Authority File.

Manifestation: note on statement of responsibility

2.17.3.5

Other information relating to statement of responsibility

511 0_ $a Dynamis Ensemble (Birgit Noite, flute ; Rocco Parisi, clarinet/bass clarinet ; Paolo Casiraghi, clarinet ; Sergio Armaroli, percussion ; Candida Felici, piano ; Dominique Chiarappa-Zyrd, violin ; Teresa Felici, violoncello) ; Javier Torres Maldonado, conductor.
Ensemble members named parenthetically.
511 0_ $a Sasha Cooke, soprano ; Inon Barnatan, piano (in the Britten song) ; Wu Han, piano, Ani Kavafian, violin ; Lily Francis, viola ; David Finckel, cello (in the Walton quartet) ; Inon Barnatan, piano ; Miró Quartet (Daniel Ching, Sandy Yamamoto, violins ; John Largess, viola ; Joshua Gindele, cello) (in the Elgar quintet).
Resource features multiple groups of performers responsible for expressions of different works.
511 0_ $a Various performers.
505 0_ $a Animals (1961) (Timothy Andres, prepared piano ; Caleb Burhans, Caroline Shaw, violins ; Nadia Sirota, viola ; Clarice Jensen, cello ; Chihiro Shibayama, marimba ; Chris Thompson, vibraphone) (10:00) -- Loops and sequences (1961) (Clarice Jensen, cello ; Timothy Andres, piano) (7:36) -- Three aphorisms (1960) (Timothy Andres, prepared piano) (4:00) -- Densities I (1962) : for viola solo with 4 treble instruments (Nadia Sirota, viola ; C.J. Camerieri, trumpet ; Clarice Jenson, cello ; Chihiro Shibayama, marimba ; Chris Thompson, vibraphone) (9:53) -- Four sound*poems (1962) (Clarice Jensen, Caroline Shaw, Nadia Sirota, Chris Thompson, speakers) (3:22) -- String trio (1962) (Caleb Burhans, violin ; Nadia Sirota, viola ; Clarice Jensen, cello) (12:00) -- Water music (1963) : for percussion solo and electronic tape (Alan Zimmerman, percussion) (12:40) -- Prelude to "The mystery cheese-ball" (1961) : for antiphonal rubber balloons (Timothy Andres, Caleb Burhans, Clarice Jensen, Caroline Shaw, Nadia Sirota, Chihiro Shibayama, Chris Thompson, balloons) (3:41).

Manifestation: note on title

Title variations, inaccuracies, and deletions

2.17.2.3

Title source

245 10 $a Take care.
500 ## $a Title from disc label.
245 10 $a Werke für Violine und Orchester
500 ## $a Title from container spine.
505 0_ $a Violinkonzert no. 2 -- Concertino de printemps -- Violinkonzert no. 1 -- Le bœuf sur le toit.
Disc label lists titles of each work without collective title. Container spine: Werke für Violine und Orchester.
245 10 $a Hear me howling! : $b blues, ballads, & beyond
500 ## $a Title from accompanying book title page.
4 discs enclosed in "accompanying" book; labels have only volume designations, and lack the title.
245 00 $a Michael Paulo.
246 1_ $i Title on container spine: $a Michael Paulo and the Magenta Symphony Orchestra
245 10 $a English music for viola.
246 1_ $i Title on container spine: $a English viola
245 10 $a Om Shanti Om
246 1_ $i Title on container: $a Red Chillies Entertainment presents Om Shanti Om

Manifestation: parallel designation of edition

2.5.3

250 ## $a Study score = $b = Studienpartitur.
250 ## $a Partytura = $b = Score = Partitur.
250 ## $a Erstdruck = $b = First printing.
250 ## $a Partitur und Stimmen = $b = Score and parts.
250 ## $a Limited edition = $b = Edición limitada.
250 ## $a Édition critique = $b = Edizione critica = Critical edition.

Manifestation: parallel statement of responsibility relating to edition

2.5.5

250 ## $a Vocal score / $b arranged by Sam Jones = Klavierauszug / bearbeitet von Sam Jones.
250 ## $a Partition chant et piano d'après le Urtext de l'édition "L'opéra français" / $b par Karl-Heinz Müller = Piano reduction based on the Urtext of the edition "L'opéra français" / by Karl-Heinz Müller = Klavierauszug nach dem Urtext der Ausgabe "L'opéra français" / von Karl-Heinz Müller.
250 ## $a Neuausgabe nach den Quellen = $b = New edition based on original sources.
250 ## $a Partitur = $b = Full score.
250 ## $a Erstveröffentlichung, Klavierauszug = $b = First edition, Vocal score = Première edition, Partition pour piano.

Manifestation: parallel statement of responsibility relating to series

2.12.7

490 1_ $a Sämtliche Werke für Laute / Silvius Leopold Weiss ; $v Band 2 = $a Complete works for lute / Silvius Leopold Weiss ; $v volume 2
800 1_ $a Weiss, Silvius Leopold, $d 1687-1750. $t Lute music. $f 2002 ; $v Bd. 2.
490 1_ $a Opera omnia latina / Matthei Rosmarini ; $v I/1 = $a = Collected works / Mateo Romero ; $v volume I/1
800 1_ $a Romero, Mateo, $d 1575 or 1576-1647. $t Choral music. $k Selections ; $v 1/1.

Manifestation: parallel title proper

2.3.3

100 1_ $a De Pastel, Karen, $d 1949-
245 10 $a Unter den Gärten von Bolhás : $b 9 Stücke über ungarische Volksmelodien für 2 Flöten = In the gardens of Bolhás : 9 pieces based on Hungarian folksongs for 2 flutes / $c Karen De Pastel.
246 31 $a In the gardens of Bolhás
245 04 $a Das dunkle Reich = $b = Dark kingdom
246 31 $a Dark kingdom
500 ## $a English title from caption.
Or
245 04 $a Das dunkle Reich = $b = Dark kingdom
246 1_ $i English title from caption: $a Dark kingdom
245 10 $a Píseň bohatýrská = $b = Heroisches Lied = A hero's song = Le chant héroïque : op. 111 / $c Antonín Dvořák.
246 1_ $i Parallel title on cover: $a Heldenlied
246 31 $a Heroisches Lied
246 31 $a Hero's song
246 31 $a Chant héroïque

Manifestation: place of manufacture

2.10.2

264 _3 $a Austria

Manifestation: place of production

2.7.2

264 _0 $a [Boston, Massachusetts]
Title frames: An evening of opera scenes, recorded in Studio 401, March 4, 2011, by the Boston Conservatory.
264 _0 $a New York
Resource is a holograph sketch. Caption: Trio in D (1950) / B. Martinů. Page 11: New York, February 26, 1950.

Manifestation: plate number for notated music

2.15.3

028 22 $a D. 19 806 $b Doblinger
028 22 $a CMBV 063 $b Centre du musique baroque de Versailles
028 22 $a 23009-11 $b Carl Fischer
028 20 $a 23009 $b Carl Fischer
Plate number includes additional element "-11" corresponding to the number of pages or plates in the resource.

Manifestation: playing speed

3.16.4

Sound characteristic. Playing speed

344 ## $c 45 rpm $c 33 1/3 rpm
500 ## $a Side one: 45 rpm; side two: 33 1/3 rpm.
Or
344 ## $3 Side one: $c 45 rpm
344 ## $3 Side two: $c 33 1/3 rpm

Manifestation: production method

Recording an unstructured description. Manuscripts

3.9

340 ## $d printout
Or
500 ## $a Printout.

Recording a structured description

3.9.1.3

340 ## $d burning $2 rdapm
500 ## $a CD-R.

Manifestation: publication statement

2.8

028 02 $a R2 72190 $b Rhino
264 _1 $a Los Angeles, CA : $b Rhino, $c [1995]
264 _4 $c ℗1995

Resource is a sound recording. On spine, disc, and back of container: Rhino (stylized RHINO, with letters of varying vertical alignment, in a red oval)

On disc and back of container: All selections controlled by Rhino Records Inc. This Compilation ℗ & © 1995 Rhino Records Inc., 10635 Santa Monica Blvd., Los Angeles, CA 90025-4900.

028 02 $a GM054 $b Ghostmeat Records
245 00 $a AthFest $b Athens Georgia 2009
264 _1 $a [Athens, GA] : $b Ghostmeat Records, $c [2009]
264 _4 $c ©2009

Resource is a sound recording. On back of container: Ghostmeat Records [logo]; Ghostmeat Records [text]; ©2009 AthFest, Inc.

Smaller logos present on container: Flagpole [a local weekly paper]; Bulldog 100.1 [a radio station]; Chase Park Transduction [a recording studio]; CDman.com [a CD manufacturing and distribution service]

On spine: Ghostmeat; GM054

264 _1 $a [United Kingdom?] : $b Parlophone, $c [2015]
Or
264 _1 $a [United Kingdom?] : $b Parlophone : $b Gem, $c [2015]
264 _4 $c ℗2012
Or
264 _4 $c ℗2012 $c ©2015

Resource is a sound recording. On disc: A Gem production [text]; ℗1972 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to Parlophone Records Ltd. Digital remaster ℗2012 The copyright in this sound recording is owned by Jones/Tintoretto Entertainment Co., LLC under exclusive license to Parlophone Records Ltd. ©2015 Jones/Tintoretto Entertainment Co., LLC. ... ©2015 Parlophone Records Ltd. A Warner Music Group Company.

On container: A Gem production [under wordless graphic logo]; Parlophone [logo]

Manifestation: publisher number for notated music

2.15.2

028 32 $a FK090003 $b Serenissima Music Inc.
028 62 $a HL00042155 $b Hal Leonard Corporation
Hal Leonard identified as a distributor on the resource.
028 30 $a 3891 $b C.F. Peters
028 32 $a Edition Peters Nr. 3891 $b C.F. Peters
Or
028 30 $a 3891 $b C.F. Peters
500 ## $a Publisher's number: Edition Peters Nr. 3891.

Manifestation: recording medium

3.16.3

Sound characteristic. Recording medium

344 ## $b optical $2 rdarm

Manifestation: special playback characteristic

3.16.9

Sound characteristic. Special playback characteristic

344 ## $h Dolby-B encoded $2 rdaspc

Manifestation: statement of responsibility relating to edition

2.5.4

250 ## $a Klavierauszug = $b = Vocal score / Paul Horn.
250 ## $a Revised edition / $b by Leslie Howard.
250 ## $a Vocal score / $b revised by Michael Pilkington.
250 ## $a Ausgabe für Violine und Klavier = $b = Edition for violin and piano / von Christian Rudolf Riedel.

Manifestation: statement of responsibility relating to series

2.12.6

490 1_ $a Ausgewählte Werke / Homilius
800 1_ $a Homilius, Gottfried August, $d 1714-1785. $t Works. $k Selections. $f 2006.
Series represents works of a single composer.

Manifestation: statement of responsibility relating to title proper

2.4.1.1

Statements of responsibility—Scope

245 00 $a Greatest hits / $c James Galway.
Resource is an audio recording.
245 00 $a Arias I love / $c Maria Callas.
Resource is an audio recording.
245 00 $a My favorite things / $c John Coltrane.
Resource is an audio recording.
245 00 $a Bangerz / $c Miley Cyrus.
Resource is an audio recording.
245 10 $a Mendelssohn / $c Abbado.
Resource is an audio recording. "Abbado" is in large print on the disc label. "Mendelssohn" is in smaller print below the conductor's name. "Mendelssohn" has been chosen as the title proper.
245 10 $a Britten, Haydn / $c Rostropovich ; Britten.
Resource is an audio recording. "Rostropovich" and "Britten" are in large print on the disc label. "Britten" and "Haydn" are in smaller print below the performers' names. "Britten, Haydn" has been chosen as the title proper.
245 00 $a Crossing waves : $b British works for solo harp / $c Keziah ; featuring Malcolm Arnold, Sally Beamish, Andy Scott, Huw Watkins, Benjamin Britten.
Resource is an audio recording. "Keziah" is in large print below the title proper on the disc label. Composers are in smaller print below the other title information.
245 00 $a Oops! ... I did it again / $c Britney Spears.
Resource is a score.

2.4.2

245 12 $a A piece for Yvonne : $b for solo piano / $c Gustav Holst ; edited by Raymond Head.
On caption: edited by Raymond Head.
245 10 $a Nänie : $b for chorus of mixed voices with orchestra (and harp ad libitum) op. 82 / $c [poem by] Friedrich Schiller ; [music by] Johannes Brahms ; English version by Alma Strettell.
On title page: Friedrich Schiller, Johannes Brahms. On caption: English version by Alma Strettell. On cover: music by Johannes Brahms, poem by Friedrich Schiller. (Statements from title page transcribed first, and option under Manifestation: statement of responsibility. Clarification of role applied)
245 10 $a On the beach at Fontana : $b soprano and piano / $c Roger Sessions ; text by James Joyce.
On cover: text by James Joyce.
245 10 $a Beggars banquet / $c the Rolling Stones.
Resource is an audio recording. On disc label: Beggars banquet. On container: the Rolling Stones.

Manifestation: tape configuration

3.16.7

Sound characteristic. Tape configuration

344 ## $e 4 track

Manifestation: title of manifestation

Titles of manifestation of parts and iterations

2.3.1.7

245 10 $a Choraleworks. $n Set II, $p Ten chorale preludes for organ
245 10 $a Ouvertures per il teatro di Shakespeare. $n N. 5, $p Il racconto d'inverno : $b per orchestra
245 10 $a Bolivian Baroque. $n Vol. 2, $p Music from the missions and La Plata
245 00 $a Billboard #1s. $p The '70s
245 04 $a The Dick Cavett show. $p Ray Charles collection
245 00 $a Musical theatre for classical singers. $p Soprano
The compilations with this title for other voice ranges contain different songs.
But
245 10 $a Songs of separation / $c William Grant Still.
250 ## $a Tenor.
This piece is published in tenor and baritone versions.

Manifestation: title of manifestation

Devised titles for archival resources and collections

2.3.2.9

245 00 $a Collection of 18th century English songs and ballads.
Resource is of a type that does not normally carry a title; brackets not required per LC-PCC PS.
245 04 $a The Vivian Perlis Collection of Schmitz, Ornstein, Copland, and Kirkpatrick.
Resource is of a type that does not normally carry a title; brackets not required per LC-PCC PS.

Manifestation: title proper

Titles proper including music information

2.3.2.8.1

245 12 $a A sonata for the guitar with an accompaniment for a violin

Manifestation: track configuration

3.16.6

Sound characteristic. Track configuration

344 ## $e centre track $2 rdatc

Manifestation: type of recording

3.16.2

Sound characteristic. Type of recording

344 ## $a digital $2 rdatr
500 ## $a Made from an analog original.

Manifestation: variant title of manifestation

2.3.4

Other title information [from a different source than title proper]

245 00 $a Barry Manilow.
246 1_ $i Subtitle on cover: $a Sing 8 of his best with sound-alike CD tracks
245 03 $a El lenguaje del tambor
246 1_ $i Subtitle on container: $a Bata rhythms & techniques from Matanzas, Cuba
246 1_ $i Subtitle on container spine: $a Collection of tracks from performers who made their name at Harlem's legendary Apollo Theatre
246 1_ $i Subtitle on insert: $a Tribute to Peter Tosh

2.3.6.3

245 00 $a 64 spirituals a cappella : $b traditional Afro-American songs
246 3_ $a Sixty-four spirituals a cappella
245 10 $a Oscar Wilde's The happy prince
246 30 $a Happy prince
245 10 $a Variations on "Awariguli"
246 30 $a Awariguli
245 10 $a Jazz concerto : $b Hot-Sonate (Jazz-Sonate) (1930) : für Altsaxophon und Klavier
246 30 $a Hot-Sonate
246 30 $a Jazz-Sonate
245 14 $a The art of tremolo : $b a comprehensive analysis of the tremolo technique
246 1_ $i Title appears on item as: $a Mel Bay presents The art of tremolo
245 10 $a Threnody for the victims of Hiroshima / $c Krzysztof Penderecki. Popcorn superhet receiver / Johnny Greenwood. Polymorphia / Krzsztof Penderecki. 48 responses to Polymorphia / Jonny Greenwood.
740 02 $a Popcorn superhet receiver.
740 02 $a Polymorphia.
740 02 $a 48 responses to Polymorphia.
740 02 $a Forty-eight responses to Polymorphia.
Titles proper that are forced to be recorded in 245 $c are also recorded in 740 to ensure indexing as titles. Inconsistent spellings of composer' names found in source.
240 10 $a Männerlist grösser als Frauenlist
245 10 $a Männerlist grosser als Frauenlist, oder, Die glückliche Bärenfamilie = $b = Men are more cunning than women, or, The happy bear family
246 15 $a Men are more cunning than women, or, The happy bear family
246 30 $a Männerlist grosser als Frauenlist
246 30 $a Glückliche Bärenfamilie
246 30 $a Happy bear family
In this example, “Männerlist grösser als Frauenlist” is being given both as the preferred title (in 240) and as a variant title based on the first part of an alternative title.
245 00 $a Nigeria 70. $p Sweet times : $b Afro-funk, highlife & juju from 1970s Lagos
246 30 $a Sweet times
246 30 $a Afro-funk, highlife & juju from 1970s Lagos
246 3_ $a Nigeria seventy
246 3_ $a Afro-funk, highlife and juju from 1970s Lagos

Work: authorized access point for work

Compilation of works by two or more agents

100 0# $a Dido, $d 1971- $t Greatest hits
And
100 0# $a Dido, $d 1971- $t Greatest hits (Deluxe edition)
An album (collection aggregate) of popular music expressions by the same agent released in a standard and an extended version (containing nearly twice as much content). Examples shown in authority format.
100 1# $a Shankar, Anoushka. $t Land of gold
An album (collection aggregate) described as "Anoushka Shankar's response to the humanitarian trauma of displaced people fleeing conflict and poverty," implying creative responsibility for the selection of works aggregated as well as the creation of the expressions manifested; also credited with partial responsibility for each work aggregated. Example shown in authority format.
110 2# $a Dread Zeppelin (Musical group). $t Fun sessions
A compilation album (collection aggregate) recorded by Led Zeppelin cover band Dread Zeppelin, logically necessitating creative responsibility for the selection of works aggregated. Example shown in authority format.
100 1# $a Kelly, Wynton. $t Wynton Kelly collection
A compilation score (collection aggregate) of jazz piano solos transcribed from recorded performances of Wynton Kelly originally issued 1958-1967. Example shown in authority format.
130 0# $a Elvis Presley (Amsco Publications (Firm))
A piano vocal score (collection aggregate) described on the cover as "Twenty-two great songs recorded by The King. Arranged for piano/vocal with complete lyrics and chord symbols." A personal name only heading for a related agent may be appropriate. The publisher is included as a qualifier as multiple resources with the same preferred title exist. Example valid in authority or bibliographic format.
130 0# $a Songs of joy & peace (Audio recording)
An album (collection aggregate), also released as a concert videorecording, credited to "Yo-Yo Ma & friends," but without any particular emphasis on a single performer or group. Example valid in authority or bibliographic format.
130 0# $a Watercolors (Album : Von Otter)
An album (collection aggregate) of songs by named Swedish composers, all sung by Anne Sofie von Otter; preferred title is found associated with many types of aggregates and albums by that title also recorded by numerous other performers. Example valid in authority or bibliographic format.

Work: category of work

6.3

Form of work

100 1_ $a Bach, Johann Sebastian, 1685-1750. $t Masses, $n BWV 234, $r A major
380 ## $a Masses $2 lcgft
Work authority record. In bibliographic records, prefer field 655 to field 380.
110 2_ $a Green Day (Musical group). $t American idiot (Musical)
380 ## $a Musicals $a Rock music $2 lcgft
Work authority record. In bibliographic records, prefer field 655 to field 380.
100 1_ $a Mendelssohn-Bartholdy, Felix, $d 1809-1847. $t Hebriden
380 ## $a Overtures $2 lcgft
Work authority record. In bibliographic records, prefer field 655 to field 380.
100 1_ $a Shepherd, Adaline, $d 1883-1950. $t Pickles and peppers
380 ## $a Ragtime music $2 lcgft
Work authority record. In bibliographic records, prefer field 655 to field 380.
100 1_ $a Bartók, Béla, $d 1881-1945. $t Sonatinas, $m piano $n (1915)
380 ## $a Sonatina
Work authority record. Term is in the singular form as it is not taken from a controlled vocabulary; an alternative is to use the LCGFT term "Sonatas," which has "Sonatinas" as a variant access point. In bibliographic records, prefer field 655 to field 380.

Work: creator agent of work (and narrower elements)

Note: LC-PCC practice for relationship elements: Do not record the name of the element in 100/110/700/710 $e or $i or 111/711 $j in the MARC bibliographic format, or in 500/510/511 $i in the authority format. Instead, record the corresponding PCC relationship label for the element.

19.2

Creator

100 1# $a Chandler, Matt, $d 1974- $e author.
245 14 $a The explicit gospel / $c Matt Chandler with Jared Wilson.
700 1# $a Wilson, Jared C., $d 1975- $e author.
100 1# $a Helvacioğlu , Erdem, $d 1975- $e composer, $e performer.
245 10 $a Planet X / $c Erdem Helvacioğlu, Ulrich Mertin.
500 ## $a "All compositions by Erdem Helvacioğlu, and Ulrich Mertin”--Program notes.
700 1# $a Mertin, Ulrich, $e composer, $e performer.

Work: date of work

6.4

046 ## $k 1947 $2 edtf
100 1# $a Antheil, George, $d 1900-1959. $t Sonatas, $m piano, $n no. 3 (1947)
Work authority record.
Or
046 1# $k 1947 $2 edtf
100 1# $a Antheil, George, $d 1900-1959, $e composer.
240 10 $a Sonatas, $m piano, $n no. 3 (1947)
Bibliographic format example.
046 ## $k 1927 $l 1928 $2 edtf
100 1# $a Thomson, Virgil, $d 1896-1989. $t Four saints in three acts
Work authority record. Composed 1927-1928.
046 ## $k 1884 $l 1889 $2 edtf
100 1# $a Puccini, Giacomo, $d 1858-1924. $t Edgar
Work authority record. Composed 1884-1889; revised 1889-1892; revised 1905.

Work: key of representative expression

6.17

100 1# $a Beethoven, Ludwig van $d 1770-1827. $t Sonatas, $m piano, $n no. 23, op. 57, $r F minor
384 2# $a F minor
Work authority record.
100 1# $a Dahl, Adrian, $d 1864-1935. $t Melankoli
384 2# $a A♭ major
Work authority record.

Work: medium of performance of musical content of representative expression

6.15

Medium of performance

100 1# $a Call, Leonhard von, $d 1767-1815. $t Serenades, $m flute, viola, guitar, $n op. 5, $r C major
382 2# $a flute $n 1 $a guitar $n 1 $a viola $n 1 $s 3 $2 lcmpt
Work authority record.
100 1# $a Carlile, Dana. $t Ballet of phantoms
382 2# $a piano $n 1 $s 1 $2 lcmpt
Work authority record.
100 1_ $a Torke, Michael. $t Music on the floor
382 2# $a flute $n 1 $a clarinet $n 1 $a vibraphone $n 1 $a piano $n 1 $a violin $n 1 $a viola $n 1 $a cello $n 1 $a bass $n 1 $s 8 $2 lcmpt
Work authority record.
100 1_ $a Boulanger, Lili, $d 1893-1918. $t Nocturne, $m violin, piano
382 2# $a violin $n 1 $p flute $n 1 $a piano $s 2 $2 lcmpt
Or
382 2# $a violin $n 1 $a piano $s 2 $2 lcmpt
382 2# $a flute $n 1 $a piano $s 2 $2 lcmpt
Work authority record. Title on resource: Nocturne pour violon ou flûte et piano. For examples of bibliographic description of a manifestation of this work, see Expression: medium of performance of musical content.

Work: numeric designation of musical work

6.16

100 1# $a Walckiers, Eugène, $d 1793-1866. $t Sonatas, $m flute, piano, $n no. 2, op. 92, $r A minor
383 ## $a no. 2 $b op. 92
Work authority record. Work has both serial number and opus number.
100 1# $a Beethoven, Ludwig van, $d 1770-1827. $t Quartets, $m violins (2), viola, cello, $n no. 8, op. 59, no. 2, $r E minor
383 ## $a no. 8 $b op. 59, no. 2
Work authority record. Work has both serial number and opus number (including numbering within opus number).
100 1# $a Abel, Karl Friedrich, $d 1723-1787. $t Sonatas, $m flute, continuo, $n op. 6
383 ## $b op. 6
383 ## $c K. 123-128 $d Knape $2 mlati
Work authority record. Work has both opus number and thematic index number.

Work: place of origin of work

6.5

100 1# $a Peterson, Marvin Hannibal. $t Dear Mrs. Parks
370 ## $g United States $2 naf
Work authority record.
100 1# $a Cavalli, Pier Francesco, $d 1602-1676. $t Calisto
370 ## $g Venice (Italy) $2 naf
Work authority record.

Work: serial number of musical work

6.16.1.3.1

Numeric designation of a musical work

100 1# $a Badings, Henk, $d 1907-1987. $t Concertos, $n no. 3
383 ## $a no. 3
Work authority record.
100 1# $a Zender, Hans. $t Hölderlin lesen, $n no. 1
383 ## $a no. 1
Work authority record.
100 1# $a Schneider, Enjott, $d 1950- $t Symphonies, $n no. 3
383 ## $a no. 3
Work authority record. Title on resource: Chinesische Jahreszeiten : Sinfonie Nr. 3 für Alt, Sheng und Orchester (2007).
100 1# $a Couperin, François, $d 1668-1733. $t Pièces de clavecin, $n livre 3
383 ## $a livre 3
Work authority record.

Work: thematic index number

6.16

100 1# $a Vivaldi, Antonio, $d 1678-1741. $t Concertos, $m oboes (2), horns (2), bassoon, violin, string orchestra, $n RV 569, $r F major
383 ## $c RV 569 $d Ryom $2 mlati
383 ## $c R. op. 46, no. 2 $d Rinaldi $2 mlati
383 ## $c F. XII, 10 $d Fanna $2 mlati
383 ## $c P. 273 $d Pincherle $2 mlati
Work authority record. Work has multiple thematic index numbers.

Work: variant access point for work

6.28.4

Variant access point representing a musical work or expression

130 #0 $a Sonata, $m violin, keyboard instrument, $r D major
400 1# $a Bach, Johann Christian, $d 1735-1782. $t Sonatas, $m violin, keyboard instrument, $n W. YB 22, $r D major
Work authority record. Work is anonymous, but has also been misattributed to Johann Christian Bach.
100 1# $a Clarke, Jeremiah, $d 1669?-1707. $t Trumpet voluntary, $m harpsichord
400 1# $a Purcell, Henry, $d 1659-1695. $t Trumpet voluntary, $m piano
Work authority record. Work has also been misattributed to Henry Purcell.

6.28.4.5

Variant access point representing a musical expression

100 1# $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Zauberflöte
400 1# $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Magic flute
400 1# $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Flûte enchantée
400 1# $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Flauta mágica
Not
100 1# $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Zauberflöte. $l English
400 1# $a Mozart, Wolfgang Amadeus, $d 1756-1791. $t Magic flute
Work authority record. Variant titles in languages other than the preferred title recorded together in work record, not separately in each expression record.